Free downloadable public domain Catholic paintings on the topic of the Bible.
In this depiction of Christ’s arduous journey to his own crucifixion, Domenichino situates Christ at the forefront of the composition, gazing sorrowfully out at the viewer. Christ’s oppression and the cruelty of his tormentors are emphasized by the crowded composition, in which the figures seem to bear down...
When King Cyrus of Persia, seen at the center, asked his confidant Daniel why he does not worship the deity Bel, whose lower half can be seen in the shadows, Daniel replied that he worshipped a living god, not an idol. The king insisted that Bel was a living god...
Christ, haggard and sorrowful, weeps copiously. He wears the Crown of Thorns; its vicious spines pierce his forehead and his right eyebrow and extend menacingly outwards, accentuated by the brilliant golden radiance behind him. Blood from his wounds runs through his hair, down the neckline of his cloak and beneath...
As was customary for promising Dutch painters in the 1600s, Gerrit van Honthorst traveled to Italy to complete his artistic training. In Rome he fell under the spell of Caravaggio's revolutionary style and adopted his use of realistic figures and dramatic lighting, known as chiaroscuro. In Italy he...
Drops of blood are visible on Christ's brow as he carries the cross to his Crucifixion. The immediacy of this close-up image invites the viewer to contemplate the pain and meaning of Christ's sacrifice. Associated with Leonardo da Vinci, Marco d'Oggiono subtly manipulated light...
In Giovanni Lanfranco's highly original design, a few large figures stand in a shallow foreground space. Using a low viewpoint and dramatic foreshortening, Lanfranco depicted the figures as if seen from below, imbuing them with monumentality. The powerful composition communicated both to spectators standing far away and to...
In this painting, the Virgin Mary, Saint John the Evangelist, and Saint Mary Magdalene grieve over the body of Christ while displaying it to the viewer. Although Gerard David and earlier Netherlandish painters often treated the Lamentation as a private devotional subject, this panel was part of a large altarpiece...
This painting was once a panel from the important five-panel altarpiece commissioned by Queen Isabella for the Carthusian monastery of Miraflores near Burgos, site of the royal tombs of her parents and brother. The altarpiece, of which the other panels survive, was likely painted during the artist’s early employment...
The liberation of the apostle Peter is an event described in the Acts of the Apostles, chapter 12 in which the apostle Peter is rescued from prison by an angel. Although described in a short textual passage, the tale has given rise to theological discussions and has been the subject...
This loosely painted sketch is the preliminary design for an altarpiece in the Church of Saint Ulrich, Vienna. Mary and Joseph have brought the infant Jesus to the temple to be inducted into the Jewish faith; the aged priest Simeon cradles the infant in his arms, turning his gaze to...
This is a rare example of a surviving 15th-century painting from the northern provinces of the Netherlands (present-day Holland). This region had fewer centers of artistic production than the more populous southern Netherlands, and it also experienced substantial destruction of artworks during the iconoclastic outbursts of the mid-16th century. The...
Salome’s dancing so pleased her stepfather Herod that he offered her anything she wanted. Her mother advised Salome to demand John the Baptist’s head, which Salome presented to her family in an elaborate dish. Here, the head stands on its own, with a startlingly tangible presence. Despite its...
This manuscript was illuminated by a circle of at least five highly organized manuscript painters active in the Flemish cities of Ghent and Bruges. The principal illuminator was Alexander Bening, who painted the majority of the book's miniatures. Manuscripts produced by this circle of artists are renowned for...
Grasping a gold plate holding John the Baptist’s severed head, young Salome presents this gruesome prize to her mother. Salome’s stepfather, King Herod, had granted her a wish after she danced for him at a banquet. Prompted by her mother, she asked for John’s head. John had...
In this large canvas, Guido Reni, a leading seventeenth-century Bolognese painter, depicted one of the New Testament’s more macabre stories. Salome, the daughter of Queen Herodias, so pleased her stepfather, Herod Antipas, by dancing at his birthday feast that he promised to grant her any wish. Prompted by her...
Against an open, hilly landscape, the lifeless body of Christ hangs from a wood cross, his slumped head, open mouth and tense muscles capture the dramatic moment of his death. The monumental figures of the Virgin (left) and Saint John the Evangelist (right) stand at his side and in the...
This panel, along with The Baptism of Christ and Madonna and Child with Five Angels were once part of the same altarpiece devoted to Saint John the Baptist. Several more components have found their way to other collections. The altarpiece’s original location is not known, though it was probably...
Savoldo depicts Mary Magdalene in the Garden of Gethsemane peering from behind shimmering folds of satin fabric, tentatively looking outward at the viewer. She is identifiable by her ointment jar on the left, containing the oil with which she anointed Christ’s feet. She stands by the sepulchre, preparing to...
In this painting, El Greco combines the iconic power of the crucifix with the expressive power of landscape painting. He sets the cross atop Golgotha, the "place of the skull," with Jerusalem looming in the background. He eliminates the other characters from the biblical narrative, encouraging the viewer...
As the innkeeper looks on, the resurrected Christ reveals himself to his apostles Cleophas and Saint Peter, as described in the Gospel of Luke: "When he was at the table with them, he took bread, blessed and broke it, and gave it to them. Then their eyes were opened,...
The Old Testament tells of the shepherd boy, David, who felled a seemingly invincible adversary, Goliath, by slinging a stone that struck the giant on the forehead. The Biblical hero then used Goliath's own sword to cut off his head. Here, Cagnacci depicts David after the victory, when...
Bronzino depicts Saint John the Baptist's muscular figure in a restricted space, his torso twisted to accommodate the panel’s vertical format which creates a series of strong diagonal accents, zigzagging the length of the painting. This artificial, serpentine pose marks Bronzino’s move away from naturalism toward...
This small painting was probably the right-hand side of a diptych with two hinged panels. Very likely the panel opposite depicted the Virgin and Child. The man or woman who meditated on this image during private devotions would have made an intimate connection with the grief of the mourners who...
Standing on either side of this Nativity are two Hebrew prophets, whose writings—quoted on the scrolls they hold—are thought by Christians to foretell Jesus’s birth. The Gallery's Nativity joined other scenes from Jesus’s childhood (and other prophets) that unfolded along the front horizontal base...
