Free downloadable Renaissance Catholic paintings in the public domain.
Free Download— Medium: Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge). - This image is in the public domain. —the-conversion-of-saul-with-horseman-and-banner-jacob-jordaens-...
Free Download— This painting was once part of the Saint Anne Altarpiece, a series of 10 panels set within an architectural frame that hung behind a church’s altar. Gerard David and his workshop produced this large-scale project for export to Spain. - This image is in the public domain....
The Virgin Mary, known as "the rose without thorns" for having been born free of original sin, holds the symbolic flower while sitting upon the Throne of Wisdom. The scroll held by an angel reads: "Come over to me, all ye that desire me, and be filled...
Donato de’ Bardi’s style brings together Netherlandish and French influences, focusing on refined detail and careful study of light. At the center of this painting, which is still in its original frame, Donato captures the sheltering affection between the infant Christ and Madonna. Gesturing to the goldfinch in his...
Donato de’ Bardi’s style blends Netherlandish and French influences, emphasizing refined detail and careful study of light. Free DownloadThis image is in the public domain.crucifixion.jpg376 KBdownload-circle Please SUBSCRIBE or DONATE to help keep this site free!...
This work plays with our expectations of the flatness of the painted surface. Using a technique of gilded gesso, the artist gave Saint Nicholas’s miter and the crowns of the holy figures a raised surface. The Virgin’s robes and the intricate, angled throne also create a sense of...
These three panels are from an altarpiece painted for a Dominican church in the Marchigian town of Ascoli Piceno. It is possible that the child was originally shown reaching for a flying bird, his frequent attribute. The cracked marble dais is a recurrent feature of Crivelli's work. On...
Foppa was the founder of Renaissance painting in Milan, where he worked for the dukes. In addition to major fresco cycles and altarpieces, he also painted touching images of the Madonna and Child for private devotion. This one dates to about 1480 and shows them before a rose hedge—the...
This small tapestry depicts the infant Jesus pressing grapes into a chalice. The imagery was widely understood at the time of its creation to reference the physical sacrifice Jesus would later make in his crucifixion. In the Christian ritual of the Eucharist, followers drink holy wine to remember Jesus’s...
Mariotto was famous for painting crisp details and the kind of subtle color shifts seen in the angels’ feathered wings and draped robes. These small panels once crowned the upper corners of a large altarpiece made for a church on the outskirts of Florence, Italy (Santo Stefano in Pane). During...
According to legend, Veronica pitied Jesus as he carried his cross to Calvary and offered him her kerchief, or sudarium, which miraculously retained the imprint of Jesus' face after he wiped his brow. The cloth presumed to have been Veronica's-her name means vera icon, or true...
This scene depicting the Virgin Mary, her infant son Jesus Christ, and various saints and prophets also includes the kneeling figure of Louise de Bourbon (1495–1545), a member of the French royal family (Note the inscription LOYSE DE BOURBON on the hem of her dark habit). She was the...
This painting is an altarpiece, a devotional image used in a Christian church, and many of the details are religious symbols. The walled garden, for instance, refers to the garden in the Bible’s Song of Songs and is associated with the Virgin Mary, the mother of Jesus Christ. The...
Triptychs (hinged three-paneled works) such as this were often placed on or behind the altars of medieval churches and private chapels. The central panel of this triptych shows people mourning the death of Jesus. The city in the background is Bruges, where the artist worked. Saint John the Baptist...
Lucas Cranach the Elder worked in a time of religious upheaval. Martin Luther (a close associate of Cranach) led the Protestant Reformation challenging the Catholic Church, arguing that man could have a direct relationship with God without the need for a priest to intermediate. Cranach adapted familiar Catholic imagery to...
This panel represents Catherine Benincasa of Siena, one of the most influential women of the late Middle Ages. Affiliated with the Dominican order, she was renowned for her devotion to the poor and sick as well as for her mystical visions. In one such vision, she saw herself marked with...
Created by Pietro Perugino during the height of the Italian Renaissance, "The Baptism of Christ" (1500–1505) reflects the period’s fascination with harmonious composition, balanced figures, and luminous color. Perugino, renowned as one of the leading artists of his generation and Raphael's teacher, masterfully incorporates...
These four panels, together with another one depicting the Resurrection (Metropolitan Museum of Art, New York), once constituted a predella—a series of small pictures, often narrative scenes, forming the base of an altarpiece. These predella scenes depict moments when Jesus’s divine nature was revealed: at his birth, at...
This series of panels illustrates scenes from the life of Saint John the Baptist, a prophet who foretold Jesus’s arrival as the Christian savior. The Art Institute’s collection includes six panels that were originally part of a group of 12 that possibly formed the doors of a reliquary...
This series of panels illustrates scenes from the life of Saint John the Baptist, a prophet who foretold Jesus’s arrival as the Christian savior. The Art Institute’s collection includes six panels that were originally part of a group of 12 that possibly formed the doors of a reliquary...
This series of panels illustrates scenes from the life of Saint John the Baptist, a prophet who foretold Jesus’s arrival as the Christian savior. The Art Institute’s collection includes six panels that were originally part of a group of 12 that possibly formed the doors of a reliquary...
This series of panels illustrates scenes from the life of Saint John the Baptist, a prophet who foretold Jesus’s arrival as the Christian savior. The Art Institute’s collection includes six panels that were originally part of a group of 12 that possibly formed the doors of a reliquary...
In this humanizing yet idealized depiction of the Virgin Mary embracing the baby Jesus, Sandro Botticelli conveyed the sacred beauty of maternal love. Mary, her expression soft and her skin luminous, nuzzles her son’s chubby cheek as he grasps the nape of her neck. An angel, smaller in scale,...
This small panel was once part of an altarpiece depicting the life of the Virgin Mary, mother of Jesus Christ, along with a Nativity scene now in the Rijksmuseum and a depiction of the Annunciation, now in the Glasgow Art Gallery. Forty days after the birth of a male child,...
