Part two of the St. Mark Cycle by the Italian master Tintoretto (1518 – 1594). This painting depicts the Venetian Merchants stealing the body of the Saint. In A.D. 828 they found the body of the saint in Alexandria, Egypt, where the locals were about the burn the body of...
About the Image: Its richness of execution and its artistic quality are what make this panel so captivating. It was once part of the predella of an altarpiece – later largely destroyed – from Siena Cathedral. Bulgarini’s retable and three others by Pietro and Ambrogio Lorenzetti and Simone Martini surrounded the...
About the Image: The two immaculately preserved panels depict with great attention to detail the events leading to the Incarnation of Christ. Together with a Risen Christ (today in the Abegg-Foundation in Riggisberg), they originally served as the top sections of a four-part altarpiece which Crivelli painted in 1482 for...
About the Image: "Christ with the Samaritan Woman at the Well" painted by Sisto Badalocchio between 1609 and 1610 is a beautiful representation of a pivotal biblical story, capturing a moment of profound spiritual revelation and understanding. The artwork delves deep into the theme of divine grace, redemption,...
Saint of the Day: October 26 About the Image: "The Apparition of John of Capistrano to Peter of Alcantara" by Luca Giordano, created in 1692, is a dramatic and spiritually evocative piece that masterfully utilizes Baroque techniques to tell a narrative filled with profound religious sentiment. Let'...
Saint of the Day: October 26 About the Image: The canvas belongs to the last period of Giovan Battista Lucini's activity. It is characterized by the strong luministic effects that make the figures of the characters stand out, in contrast with the clear and luminous background of the...
About the Image: Girolamo da Carpi was one of the most gifted artists at the court of the Este family of Ferrara, an important artistic center during the Italian Renaissance. This intimate work was painted for the Estes and adorned the oratory chapel of their palace. In the painting, Saint...
About the Image: The Vivarini were a family of Venetian painters whose prolific workshop specialized in large multi-tiered altarpieces for churches throughout the Veneto region. This relatively small triptych was likely intended for private devotion. The kneeling nun, dressed as a member of the Dominican Order, probably represents the patron....
About the Image: Benvenuto Tisi, often referred to by his nickname "Garofalo," was an Italian Renaissance painter from the city of Ferrara. He was active during a transformative period in European art, and his works often blend the elegance and coloring typical of the Ferrarese school of painting...
About the Image: This ivory plaque depicts Mary, Joseph, and one of his sons from a previous wife on their way to Bethlehem. The scene is set within an architectural frame that combines Byzantine decorative elements (such as the acanthus leaf column capitals) with Islamic architectural motifs (most notably, the...
About the Image: The Fall of Simon Magus is a late-Baroque painting by Pompeo Batoni, originally intended as the basis for a mosaic altarpiece in the Basilica of St Peter1. The painting is likely a studio copy of the original, which was displayed in the church of Santa Maria degli...
About the Image: Saint Andrew is the subject of a painting by Pompeo Batoni, an Italian painter of the 18th century. The painting is part of a series of religious paintings commissioned by Batoni's most important patron, Count Cesare Merenda of Forlì1. The painting is available as an...
About the Image: The Crucifixion is a religious painting by Pompeo Batoni, an Italian painter of the 18th century. The painting depicts the crucifixion of Jesus Christ, with Mary and John the Evangelist standing at the foot of the cross. The painting is displayed in various galleries, including the Museum...
About the Artist: Pompeo Girolamo Batoni was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to...
About the Image: The Allegory of Religion is a painting by Pompeo Batoni, an Italian painter of the 18th century12. The painting depicts a female figure, representing religion, holding a cross and a chalice, surrounded by cherubs and putti12. The painting is known for its use of light and color...
About the Image: The Madonna and Child in Glory is a painting by Pompeo Batoni, created in 174712. The painting depicts the Madonna holding the infant Jesus, surrounded by angels and cherubs in a heavenly setting13. The painting is known for its use of light and color and is considered...
About the Image: Pope Benedict XIV was the pope from 1740 to 1758. He was born Prospero Lorenzo Lambertini in Bologna, Italy, in 16751. Benedict XIV was known for his efforts to reform the church and his support for the arts and sciences1. During his papacy, he issued several important...
About the Image: The Madonna and Child with Saints Joseph, Zacharias and Elisabeth and the Infant Saint John is a painting by Pompeo Batoni, created between 1738 and 17401. The painting depicts the Madonna holding the infant Jesus, with Saints Joseph, Zacharias, and Elisabeth, and the infant Saint John the...
About the Image: The Madonna and Child with the Infant Saint John the Baptist is a painting by Pompeo Batoni, an Italian painter of the 18th century[2][3]. The painting depicts the Madonna holding the infant Jesus, with the infant Saint John the Baptist standing beside them[1]. The...
About the Image: The Gabrielli Madonna is a painting by Pompeo Batoni, created in 1732 in the Gabrielli chapel of the Church of San Gregorio Magno al Celio in Rome[1][3]. The painting depicts the Madonna on a throne with child and four saints and blesseds of the Gabrielli...
About the Image: Susanna and the Elders is a painting by Pompeo Batoni, created in 1751 in Rococo style[3]. The painting depicts the biblical story of Susanna, who was spied on by two elders while bathing and falsely accused of adultery[1]. The painting is considered a testament to...
About the Image: By mid-eighteenth century Pompeo Batoni prevailed as the leading portraitist in Rome catering to an elite clientele of wealthy tourists from the British Isles. Decades earlier, he had launched his career painting historical and biblical subjects, and he continued to depict such subjects in a dignified, classicizing...
About the Image: The Return of the Prodigal Son is a story from the Bible, appearing in the Gospel of St. Luke[3]. It tells the story of a son who asks his father for his inheritance and leaves the parental home, only to fritter away all his wealth. He...
About the Artist: Giovanni della Robbia (1469-1529) was an Italian Renaissance sculptor, primarily known for his work in ceramics. He was the son of Andrea della Robbia (1435-1525), the brother of Girolamo della Robbia (1488-1566), and the grandnephew of Luca della Robbia (1399/1400-1482)[1]. Giovanni worked as an assistant...
