Free downloadable public domain Catholic paintings of the Apostles
The account of Saint Peter healing the lame man is found in the Book of Acts 3:1-11. The passage describes a miracle performed by Peter and John at the Beautiful Gate of the Jerusalem Temple. In this image, Peter wears orange and blue robes, while John wears pink and white.
Saint Andrew, holding a scroll, looks intently to his left, indicating that the panel once may have formed part of a group of icons with Christ at the center.
Felix-Henri Giacomotti, a French artist who lived between 1828 and 1909. From an artistic perspective, the painting captures the biblical event of Pentecost, where the Holy Spirit is said to have descended upon the Apostles and other followers of Jesus Christ. This is suggested by the ethereal light and the...
The chromotypograph is a Catholic artwork depicting the moment Jesus appoints Peter as the head of the Church, based on the biblical passage from Matthew 16:18. It's a significant piece for illustrating the Catholic doctrine of the papacy, with Peter as the first pope. The image, likely...
Sketches for the pendentives of the dome of the collegiate church of La Granja ( Segovia ). Bayeu continued the project started by Giambattista Tiepolo , who died in 1770, giving the compositions the harmony, solidity and clarity learned during his training with Mengs . Three of the evangelists appear writing, inspired by angels,...
The pendentives of the dome of the collegiate church of La Granja in Segovia, Spain were adorned with sketches by Francisco Bayeu. He took over the project initiated by Giambattista Tiepolo, who passed away in 1770. Bayeu's contributions brought harmony, solidity, and clarity to the compositions, reflecting the...
The pendentives of the dome of the collegiate church at La Granja in Segovia were adorned with sketches by Francisco Bayeu. These sketches were part of a project initiated by Giambattista Tiepolo, who unfortunately passed away in 1770. Bayeu infused the compositions with harmony, solidity, and clarity, reflecting his training...
This work was previously thought to be a sketch by Francisco Bayeu for lost compositions painted in 1796 for the convent of San Pascual in Aranjuez. However, this identification is incorrect, as Morales y Marín discovered. The definitive versions of the compositions were found in the iconographic program of Aranjuez...
About the Image: Girolamo da Carpi was one of the most gifted artists at the court of the Este family of Ferrara, an important artistic center during the Italian Renaissance. This intimate work was painted for the Estes and adorned the oratory chapel of their palace. In the painting, Saint...
About the Image: Ah, "St James the Greater" by Alonso Cano from 1635. Let's delve into this striking piece: Artist Background: Alonso Cano (1601-1667) was an Andalusian painter, architect, and sculptor, making him a rare master of the three major arts of his time. He is...
About the Image: Benvenuto Tisi, often referred to by his nickname "Garofalo," was an Italian Renaissance painter from the city of Ferrara. He was active during a transformative period in European art, and his works often blend the elegance and coloring typical of the Ferrarese school of painting...
About the Image: Saint James the Greater is an early work by the Spanish painter Jusepe de Ribera, who worked in Italy. He painted this picture in around 1615/16, towards the end of his stay in Rome. Ribera, who is among the first and most important Caravaggisti, further developed...
About the Image: The AI-generated artwork depicts Saint Paul in the post-impressionist style. He is depicted holding a sword in one hand, symbolizing his martyrdom by beheading, and a quill in the other hand, representing his significant role as a writer of a substantial portion of the New Testament. Above...
About the Image: The Fall of Simon Magus is a late-Baroque painting by Pompeo Batoni, originally intended as the basis for a mosaic altarpiece in the Basilica of St Peter1. The painting is likely a studio copy of the original, which was displayed in the church of Santa Maria degli...
About the Image: Saint Andrew is the subject of a painting by Pompeo Batoni, an Italian painter of the 18th century. The painting is part of a series of religious paintings commissioned by Batoni's most important patron, Count Cesare Merenda of Forlì1. The painting is available as an...
About the Image: The Crucifixion is a religious painting by Pompeo Batoni, an Italian painter of the 18th century. The painting depicts the crucifixion of Jesus Christ, with Mary and John the Evangelist standing at the foot of the cross. The painting is displayed in various galleries, including the Museum...
About the Image: Christ appears to his followers at the cenacle, the upper room where they had shared the Last Supper. Exposing his glowing wounds, Jesus reveals himself to them—to their delight and wonder—while the servants who tend the disciples peer through the curtains in astonishment. About the...
Details: The illuminator is unknown, but his style seems to conform to that known as "Antwerp Mannerism." It emerged among a group of Antwerp painters during the first half of the 1500s. Bolstered by its rich trade and cultural contacts, the port city of Antwerp attracted hundreds of...
Details: DID YOU KNOW? All books of hours contain the same basic sections, the order of which can shift, and individual prayers can vary, sometimes significantly, from region to region. DESCRIPTION One section of a Book of Hours is the Prayers to the Virgin. Dedicated to the Virgin Mary, this...
Details: In this full-page portrait, John the Evangelist is depicted as having already copied John 1:1-2. It is a leaf from a large Ethiopian Gospel Book that was made in the first half of the sixteenth century and is written in Gǝ‛ǝz, the traditional liturgical language of the...
Details: This large Ethiopian Gospel Book was made in the first half of the sixteenth century and is written in Ge'ez, the traditional liturgical language of the Ethiopian Orthodox Church. Containing eleven full-page miniatures, six canon tables, and five elaborately ornamented harags, or headpieces, this manuscript represents the...
Details: This painting shows Christ and his twelve disciples seated at a round table for the Last Supper. Christ raises his hand to consecrate the items before them—a chalice of wine and a loaf of bread, partially sliced to resemble the Eucharistic wafers of the Mass. Biblical accounts make...
Details: This panel was painted for a multipaneled altarpiece believed to be from Szászrégen in Transylvania, in present-day Romania. The piece was painted by the same artist who created the nearby paintings Shadrack, Meshack, and Abednego, Seven Fat and Seven Lean Cows, and Two Men and Stocks. Each of the...
Details: The Ascension icon depicts Jesus being escorted back to His heavenly home, with Mary and the faithful disciples present[1]. It conveys both confusion and peace, as worldly reasoning clashes with divine order[2]. The Virgin Mary is often placed at the center of the scene in Eastern iconography,...
