Public domain paintings of Catholic male saints.
The overall style of this painting suggests that it was painted by an artist closely associated with the Netherlandish painter Jan van Eyck. The facial structure of the saint as well as the artist's treatment of his cloak are typical of van Eyck's follower, Petrus Christus. Christus was active in th
The earliest Italian painting in the Lehman Collection, this panel formed part of one of the greatest Italian altarpieces of the third quarter of the thirteenth century. The double-sided altarpiece was probably commissioned for the main altar of the church of San Francesco al Prato in Perugia. This
Because of his simplicity, piety, and devotion to all living creatures, Saint Francis (1181–1226) has remained among the most revered and popular saints. Born to wealthy parents in Assisi, he first lived a life of spendthrift luxury. However, Francis later gave up all worldly goods and embraced an e
Saint Gregory was a late 6th-century pope and one of the fathers of the early Roman Church. This painting depicts the popular legend in which Gregory once overheard an onlooker express doubts about Christ's actual presence at the altar during mass. In response, the saint's immense faith was rewarded
Saint Andrew's efforts to introduce Christianity to Greece in the first century CE were met with hostility from local authorities, and he was sentenced to die on the cross because he refused to acknowledge pagan gods. For two days, Andrew preached from his martyr's station to an increasingly sympath
Saint Lawrence is shown enthroned, his feet resting on the grill on which he was martyred, flanked by Saints Cosmas and Damian, whose cult was closely associated with the powerful Medici family. The imagery reflects the political allegiances of Alessandro Alessandri (1391-1460), who commissioned it
These two scenes from the life of Saint Nicholas of Tolentino, a thirteenth-century Augustinian priest, were part of the base (predella) of an altarpiece in the Muzzarelli chapel of the church of Sant'Andrea in Ferrara. They show two of the saint's miracles: reviving a child who had died before bein
In the top scene, Saint Nicholas, Bishop of Myra (270-343)-the original "Saint Nick"-is shown throwing three balls of gold through a window, providing the dowry of three poverty-stricken maidens. In the other panel he resuscitates three youths who had been pickled by an innkeeper during a famine. Th
This tempera and gold panel depicts the martyrdom of Saint John the Baptist, executed at the order of Herod as recounted in the Gospels. It was painted between 1430 and 1469 by an unidentified Catalan painter and is held in the Metropolitan Museum of Art.
A graceful Saint Michael is poised to deal a fatal blow to his monstrous opponent. Originally part of a larger ensemble, this painting was made in Italy by an artist inspired by the richness and refinement of Valencian art. The painter may have been associated with Gherardo Starnina (ca. 1360-1413),
Jerome and Catherine sit on a grass-covered bench before some rose bushes. The two saints can be identified by their attributes: Jerome with the lion, and Catherine with the sword and the broken wheel of her martyrdom. The painting was made in Bruges or Brussels around 1480-1490.
Saint Jerome, who translated the Bible into Latin in the 4th century, is considered the most learned of the four Church Fathers. Lorenzo Monaco depicted him in the corner of his study, accompanied by the lion that befriended him after he removed a thorn from its paw.
This engraving, made around 1475-1480, shows Saint Christopher carrying the Christ Child across a river. It is by Martin Schongauer, the most important printmaker working north of the Alps before Albrecht Durer, who collected and studied his work.
This panel shows Saint John the Evangelist weeping, likely a fragment from a larger Crucifixion or Lamentation scene. It is by the early Netherlandish painter Colijn de Coter, who worked mainly in Brussels and Antwerp producing altarpieces in the late 15th and early 16th centuries.
This painting depicts a vision of the Virgin Mary appearing to Saint Philip Neri, the 16th-century Roman priest known for his joyful spirituality. It is by the French painter Etienne Parrocel, who spent most of his career in Rome and was in demand for religious commissions during the 18th century.
This painting shows Herod being presented with the severed head of Saint John the Baptist, an episode from the Gospels. It is by the Venetian painter Pietro della Vecchia, who was one of the leading religious painters in Venice during the 17th century and was known for reviving the style of the grea
This Byzantine medallion, made of gold, silver and enamel worked in cloisonne around 1100, once formed part of the frame surrounding an icon and depicts the Evangelist Saint Matthew. It is about 3 1/4 inches in diameter and is held in the Metropolitan Museum of Art.
This engraving of Saint Matthew the Apostle, dated 1636, is by the French printmaker Jacques Callot. It comes from his series Les Images de tous les saincts et saintes de l'annee, which paired each saint with their feast day on the calendar, here September 21st.
Small Russian icon of the Christ Child with Saints Boris and Gleb. Tempera and gold on wood in a gold and enamel frame studded with jewels; the icon with its frame measures 11.1 x 10.2 cm.
This painting and another depicting an unidentified male saint, which also belongs to the Lehman Collection, formed part of a group of eighteen panels depicting saints (now in the Courtauld Institute Gallery, London; Worcester Art Museum, Massachusetts; Fogg Art Museum, Cambridge, Massachusetts; Hon
The largest of these fresco fragments may represent the late fourth-century saint John Chrysostom, who is usually depicted with a pointed beard, sunken cheeks, and a high forehead. Byzantine fresco with modern restoration, 24 x 23.7 cm.
The moody, unfiltered emotions of Saints Matthew and Francis showcase Giovanni’s interest in depicting strongly expressive figures. The artist found inspiration for his implacable saints in the sculpture of his great compatriot Jacopo della Quercia. These two figures are from a major altarpiece. A s
Italian antiphonary leaf with Saint John the Evangelist and Saint John the Baptist in an historiated initial M, in tempera, ink and gold on parchment. The leaf measures about 56.7 x 39.6 cm.
Engraving after Raphael showing Saint Paul the Apostle, Saint John the Evangelist, Saint Cecilia, Saint Augustine of Hippo and Saint Mary Magdalen. A print on paper from the Wellcome Collection.
