Many of Rouault’s works reveal his strong Catholic faith. The Crucifixion, representing Christ’s sacrifice for the salvation of humanity, is a prominent theme. The thick application of vibrant color here is characteristic of the Fauvist movement, with which Rouault was associated. While other Fauves tended to avoid social...
In this powerful image, Christ elevates the chosen, assisted by angels, while demons drag the damned toward hell. Jean Chapuis’s 14th-century poem The Seven Articles of Faith explores the moral implications of Christ’s birth, baptism, death, descent into hell, resurrection, ascension, and second coming. Treated like a small...
"Jacob" (1858) by Jean-Hippolyte Flandrin depicts the biblical figure Jacob, best known for wrestling with an angel and receiving the new name "Israel," as described in the Book of Genesis. This work was created in the 19th century, reflecting Flandrin’s Neoclassical style and interest in...
The painting "Sermon on the Mount" (1849) by Nicolas Auguste Hesse belongs to the Romanticism art movement, which was particularly prominent in the 19th century. Hesse specialized in religious compositions during his career and was recognized for his large-scale works involving historical and spiritual themes, fitting into the...
Nicolas Auguste Hesse (1795–1869) was a French painter and lithographer known for historical, mythological, and religious works, as well as portraits and designs for stained glass windows. He received notable recognition in his lifetime, including a first-class medal in 1838 and a decoration in 1840. Hesse eventually became a...
Nicolas-Auguste Hesse was a French painter and artist. He produced historical, mythological, religious and allegorical works along with portraits, wall paintings and designs for stained glass windows. He studied under his brother Henri Joseph Hesse and under baron Antoine-Jean Gros. He was the uncle of the painter Alexandre Hesse. He...
"Moses Commanding the Waters to Close upon the Egyptian Host" (1858) is an oil on canvas painting by Jean-Hippolyte Flandrin, a French artist known for his religious and historical subjects. The painting vividly depicts the climactic biblical scene from the Book of Exodus, in which Moses—acting on...
The image depicts Hezekiah, known from the biblical accounts as a reforming king who deeply trusted the Lord and oversaw a revival of faith in Judah during his reign. Flandrin’s work emphasizes dignified, contemplative expression, aligning with the broader 19th-century French religious art movement. Free DownloadThis image is in...
A gifted landscape artist, Jean-François Millet was a master of the middle ground, able to evoke boundless space in the narrow strip between the foreground and the horizon line. Here he depicted lush green pastures, a flock of grazing sheep, a lone shepherd, a man driving a farm cart, a...
The "Martyrdom of Saint John the Evangelist, at the Latin Gate" is an oil painting created between 1637 and 1647 by the workshop of Charles Le Brun. This Baroque artwork depicts the martyrdom scene of Saint John the Evangelist and is housed in the Church of Saint-Nicolas-du-Chardonnet in...
The painting of the Baptism of Christ that you shared is executed in the Neoclassical or Academic style prevalent in 19th-century European art, which prioritized clarity, idealism, and moralizing themes. Christ (God the Son) is baptized by John the Baptist, representing the new covenant; and God the Father is acknowledged...
The provided image, which depicts two cloaked women comforting a distressed man on a dark beach with a star shining overhead, is a striking, though non-traditional, visual representation of the Catholic title Maris Stella (Star of the Sea) for the Virgin Mary. In the Catholic context, the image visually echoes...
Solomon, also called Jedidiah, was the fourth monarch of the Kingdom of Israel and Judah, according to the Hebrew Bible. The successor of his father, David, he is described as the penultimate ruler of all Twelve Tribes of Israel under a united Israel and Judah. Jean-Hippolyte Flandrin was a French...
Samuel plays a key role in the transition from the biblical judges to the United Kingdom of Israel under Saul, and again in the monarchy's transition from Saul to David. Jean-Hippolyte Flandrin was a French Neoclassical painter. His most celebrated work, Jeune Homme Nu Assis au Bord de...
This painting is a 19th-century work by the French academic artist William-Adolphe Bouguereau, titled "The Virgin, the Infant Jesus and Saint John the Baptist" or "La Charité" (Charity). It's a classic example of academic art that blends religious subject matter with a highly polished,...
Émile Signol was a French artist who painted history paintings, portraits, and genre works. Although he lived during the Romantic period, he espoused an austere neoclassicism and was hostile to Romanticism. This neoclassic painting of the Crucifixion emphasizes dramatic realism and emotional intensity, departing from earlier, more stylized depictions. The...
In his 1853 version of "The Good Samaritan," Alexandre-Gabriel Decamps utilizes dramatic chiaroscuro and a rugged, possibly Orientalist-influenced landscape to recast the biblical parable with Romantic intensity and a focus on tangible human suffering and compassion.
This formal portrait by Hyacinthe Rigaud presents Archbishop Charles de Saint-Albin with authoritative poise, utilizing opulent fabrics and symbols of ecclesiastical rank characteristic of the French Baroque grand manner.
This Neoclassical painting by Jean-Auguste-Dominique Ingres depicts the biblical episode of the young Jesus debating with learned scholars in the Temple of Jerusalem, showcasing a central theme of wisdom and precociousness.
Hesse, a French painter born in 1795, was known for producing stained glass designs, portraits, and large-scale religious compositions. He was decorated in 1840 for his contributions to art and later became a member of the Institut, succeeding Eugène Delacroix in 1863.
Giacomotti's "Jésus chez les docteurs" (1865) depicts the biblical scene of 12-year-old Jesus discussing scripture with scholars in the temple. The painting showcases the young Jesus's wisdom as he engages with elders, emphasizing his divine knowledge despite his youth.
The account of Saint Peter healing the lame man is found in the Book of Acts 3:1-11. The passage describes a miracle performed by Peter and John at the Beautiful Gate of the Jerusalem Temple. In this image, Peter wears orange and blue robes, while John wears pink and white.
This devotional plaque, of the Annunciation, is by Suzanne de Court, the only woman enamel painter to sign her work.
Saint Monica tenderly holds a boy (possibly Saint Augustine) while beckoning the viewer with an open hand in this Academic painting by French artist Alexandre Cabanel.
