Free stock photos of Catholic subjects.
This cross is traditionally said to come from the Benedictine Abbey of Meherau on Lake Constance in today’s Austria. During the 12th and 13th centuries the abbey became wealthy through the acquisition of landed property. This beautiful cross would have likely embellished one of the abbey’s many alta
This thick clay plaque covered a burial niche that contained the remains of the deceased in a simple communal tomb complex called a columbarium. The chi-rho monogram of Christ identifies the deceased as a Christian. The monogram was seen as representing Christ’s victory over death, while the letters
The front face of this capital fragment presents the two mourning women identified by the inscription above: MARIA ET MARTA. On the left face appears the body of Lazarus in a sarcophagus bearing Christ's words: VENI FORAS ("[Lazarus], come forth" [John 11:43]). The Raising of Lazarus is one of the m
The two sculptures come from an altarpiece in the cathedral of Saint Omer in northern France. Four other figures have been preserved there, and possibly one at the Metropolitan Museum in New York. The workshop was probably located in Bruges, in what is now Belgium. Sculpture was the leading art genr
According to the Old Testament, Daniel was cast into a lion’s den as punishment for his belief in a single god, but he was miraculously delivered from harm on account of his faith. This story is related here, with Daniel flanked by lions and the angel sent by God to save him. Together with other dec
One of the most important and beautiful sculptures that still exist by this artist, this work is believed to be the only sculpture by Andrea Pisano in the US. The attribution to Pisano is based upon a comparison with his bronze reliefs for the Baptistry doors in Florence, fully documented examples o
This intricately carved ivory panel once decorated the side of a portable altar. One of three plaques, it depicts Christ's apostles and was one of the first major acquisitions of William M. Milliken, the museum's first curator of decorative arts and later director (1930–1958). As Milliken later reca
This elegant double-arm cross once contained fragments of four of the most important relics of Christ’s Passion, namely a portion of the True Cross, a piece of Christ’s sudarium (sweat cloth), and fragments of the reed staff and sponge used by Christ’s tormentors to mock him and give him vinegar for
Ivory diptychs (two panels hinged together) were used for private devotion by their aristocratic owners. The scenes represented here are Christ’s Entry into Jerusalem, the Raising of Lazarus, the Crucifixion, and Christ’s Entombment. They suggest choices made by the original owner who wished to cont
This sculpture is possibly the best of several crucifixes by this famous sculptor from the Bavarian town of Landshut on the Upper Danube. The pathos and graphic realism with which the artist has modeled the body of Christ ranks this sculpture as one of the artist’s finest works. Leinberger was, alon
The Virgin and Child represents one of the most frequent subjects for free-standing sculpture in 14th-century France, motivated by the developing cult of the Virgin and increasing veneration of Mary. Such sculptures were not restricted to churches, but were also found in roadside shrines, entrances
These small statuettes would have originally flanked a crucifix as suggested by this arrangement. According to the Gospels, the Virgin and Saint John were present on Golgotha at Christ’s death. Medieval artists frequently depicted them standing next to the cross. Medium: Gilt copper. Measurements:
By the 11th century, monumental crucifixes carved from wood and painted were a common feature of church interiors. Placed on or suspended above the main altar, they reminded viewers of Christ’s sacrifice on behalf of mankind at the Crucifixion, an event reenacted every time Mass was celebrated on th
This sculpture comes from an altarpiece in the cathedral of Saint Omer in northern France. Four other figures have been preserved there, and possibly one at the Metropolitan Museum in New York. The workshop was probably located in Bruges, in what is now Belgium. Sculpture was the leading art genre a
Moderno's Crucifixion demonstrates his ability to create rhythmic and dramatic compositions on a small scale. The writhing of the crowded figures and tortuous thieves is counterbalanced by the strong, classical body of Christ on the towering vertical of the cross. As the emotional and structural ape
This relief is one of several such painted stucco replicas cast after the marble original of about 1460–65 now in the Pierpont Morgan Library, New York. While this example has suffered old and obvious losses, it still conveys the overall composition and some of the subtlety of modeling of the marble
This cross was originally mounted on a tall pole and carried in religious processions. Therefore, the figures on each side are almost identical. In the center is Christ crucified. Looking on from the elaborate terminals at left and right are the Virgin and Saint John. The bottom terminal shows a dif
Saint Elizabeth was born in 1207, the daughter of Andreas II, King of Hungary; her crown alludes to her royal birth. Many legends about her generosity and work on behalf of the poor were circulated in the Middle Ages, among them the subject of this sculpture: food she was carrying to the poor was mi
Once used as decorations for a reliquary shrine, each enamel plaque represents a biblical prophet: Isaiah, Obadiah, Elisha, and Hosea. Fine gold dots punctuate dark blue backgrounds. Typical of Hildesheim enamels, this detailing creates the illusion that the prophets sit against star-studded twiligh
Surviving in fragmentary condition, this pair of angels lacks lower arms, hands, wings, and attributes. Their original paint and gilding, now almost entirely lost, once rendered their garments a rich brocade and their hair a luxuriant gold. Nonetheless, in their graceful poses and sublime faces—whic
Once used as decorations for a reliquary shrine, each enamel plaque represents a biblical prophet: Isaiah, Obadiah, Elisha, and Hosea. Fine gold dots punctuate dark blue backgrounds. Typical of Hildesheim enamels, this detailing creates the illusion that the prophets sit against star-studded twiligh
Tino da Camaino was active in Siena, Pisa, and Florence after 1311 where he established his reputation as an important and gifted sculptor. In 1323 he was summoned to the Angevin court at Naples, probably by King Robert of Anjou to work on the sepulchral monument of the king's daughter-in-law, Cathe
These figures of the Virgin and Saint John once formed part of a Crucifixion group that would have originally included a figure of Christ on the cross shown at center. Fortunately the original polychromy of the two figures has been preserved, affording the viewer a rare opportunity to appreciate a r
This standing Virgin now lacks the child she once cradled in her left arm. The sculpture may have been damaged in the French Revolution by falling onto its face. It was carved from soft white limestone of a type known to be quarried at Asnières-lès-Dijon, near Champmol. The figure recalls many of th
