Taken at Holy Spirit Catholic Church in Virginia Beach, Virginia. A crucifix hangs against a round, cross-shaped window of blue stained glass decorated with stars and waves. Below it, the tabernacle with its sanctuary lamp stands on a wooden pedestal beside the altar with its cruets.
Taken at the Church of the Ascension in Virginia Beach, Virginia. A bronze statue of Christ with outstretched arms rises above the church's walls at night, and the floodlights throw a dramatic shadow of his arms across the white wall behind him.
This sculptural relief belongs to a large series made for the Franciscan friary of San Vivaldo (founded 1350) in the Tuscan hills southwest of Florence. The friary was enlarged between 1500 and 1530 when 32 chapels were built, each dedicated to an incident in the life or Passion of Christ. San Vival
In the Gospel of John, a group of scribes and Pharisees, following the law of the Ten Commandments, intends to stone a woman who has committed adultery. The group first asks Christ's opinion of their actions, hoping to accuse him of heresy, but Christ ignores them by writing on the ground. When they
This sculpture is possibly the best of several crucifixes by this famous sculptor from the Bavarian town of Landshut on the Upper Danube. The pathos and graphic realism with which the artist has modeled the body of Christ ranks this sculpture as one of the artist’s finest works. Leinberger was, alon
By the 11th century, monumental crucifixes carved from wood and painted were a common feature of church interiors. Placed on or suspended above the main altar, they reminded viewers of Christ’s sacrifice on behalf of mankind at the Crucifixion, an event reenacted every time Mass was celebrated on th
The striking impression of this figure is the vivid representation of suffering. The sculpture captures the moment after Christ’s death: the drooping head on a frail neck is a mask of agony. The eyes are nearly shut, the mouth is ajar, and the forehead crowned by heavy, gouging thorns is drawn with
This scene of the Resurrection, along with 11 additional embroideries of the life of Christ, may have formed an altar frontal, a hanging decorating the front of an altar. Originally, expensive gold thread covered the background, but it was removed and probably melted down for its monetary value.
This scene of the Last Supper clearly shows each disciple, including Judas, who is seen at the lower right clutching his bag of money, a reference to his future betrayal.
Oak wall statue of the risen Christ. It is 69.2 cm (27 1/4 in.) tall.
The donors are Pons de Gontaut and his brother Armand, Bishop of Sarlat, in whose family funerary chapel this sculpture and the Entombment originally stood. Their coats of arms were held by the angels in the Entombment scene.
Glazed terracotta. Dimensions: 67 × 44.5 cm (26 3/8 × 17 1/2 in.)
This triptych features scenes from the infancy and Passion of Christ, arranged in a chronological sequence from left to right, starting at the bottom with the Annunciation, the Adoration of the Magi, and the Presentation in the Temple.
This sculpture of the crucified Christ reportedly came from a church in Banyoles in northeastern Spain. It was displayed between the choir and the nave, which was the space reserved for the congregation. Originally painted and gilded, it would have provided a dramatic focal point for the faithful.
The close similarity of this fragment to the image of Christ with angels on the Ascension ivory (17.190.46) suggests that ivory carvers carved the same image for more than one patron.
The angular drapery of the loincloth, the facial expression, and the linear treatment of the hair and beard of Christ suggest the sculptor was a follower of the Rimini Master. src: metmuseum.org Free DownloadThis image is in the public domain.crucifix.jpg411 KBdownload-circle Please SUBSCRIBE or DONATE to...
Piety in the late Middle Ages encouraged the believer's intense emotional empathy in the suffering of Christ. Here, stone is transformed into flesh by the actual wood thorns piercing the forehead. The capacity for sculptural naturalism developed in Burgundy by Claus Sluter (ca. 1360–before 1406) and Niclaus...
The coats of arms of the donors, Pons de Gontaut and his brother Armand, in whose family funerary chapel this sculpture and the Pietà opposite originally stood, were held by the angels. The donors are represented in the Pietà. Free DownloadThis image is in the public domain.entombment-of-christ....
The lifeless body of Jesus Christ, taken off the cross after his crucifixion, rests in his mother Mary’s lap. John the Evangelist holds his head. Mary Magdalene, with an ointment jar, looks at his feet—according to the Gospel of Saint John, she had once anointed Jesus’s feet...
Jesus is seen dead on the cross while his mother, Mary, and his favorite disciple, the Evangelist Saint John, mourn below. This large-scale work embodies the characteristics of Romanesque sculpture in the medieval period, with its heavy stylized bodies, calligraphic depiction of hair, and linear, energetic approach to rendering...
With extraordinary anatomical precision, this sculpture focuses on the suffering of Christ, who is shown still alive and in extreme physical pain. Ivory was the material of choice for depictions of Jesus, not merely because it was an exotic material imported at great expense from southern Africa, but also because...
This outdoor devotional statue presents the Madonna and Child atop an inscribed plinth, typical of Marian columns or roadside shrines found throughout Central Europe.
The statue "The Redeemer" by Michelangelo, also known as Christ the Redeemer or Christ Carrying the Cross, was created between 1519 and 1521. It is a marble sculpture located in the Basilica di Santa Maria sopra Minerva in Rome, Italy. This impressive work of art is a significant...
About the Image: This is a captivating representation of the "Baptism of Christ," housed in the Saint James the Apostle church in Szomód. The sculptural piece captures the moment when Jesus Christ is baptized by John the Baptist. Looking closely at the artwork, we can observe a few...
