Free downloadable Catholic paintings of the Virgin Mary
A Madonna is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is from Italian ma donna 'my lady'. Wikipedia [https://en.wikipedia.org/wiki/Madonna_(art)#:~:text=A%20Madonna%20(Italian%...
Ittenbach is considered one of the leading religious painters in 19th century Germany. A devout Roman Catholic, he traveled throughout Germany, painting altarpieces and artworks intended for church decoration. Popular among the German Catholic nobility, Ittenbach painted in a precise, realistic style influenced by Netherlandish and Italian Renaissance art, continuing...
This manuscript was illuminated by a circle of at least five highly organized manuscript painters active in the Flemish cities of Ghent and Bruges. The principal illuminator was Alexander Bening, who painted the majority of the book's miniatures. Manuscripts produced by this circle of artists are renowned for...
The perfectly round form, called a tondo, became popular during the 1440s. Made for domestic settings instead of churches, the circular format challenged the artist to create a harmonious, balanced composition within this more difficult shape. The attribution has been a matter of debate. Botticelli often collaborated with students, including...
Probably intended for a small chapel, this triptych shows the Virgin Mary in the center flanked by Saint Thomas Aquinas and Saint Paul. On the left panel Saint Thomas Aquinas wears the Dominican habit and holds a book of his writings. On the right panel, Saint Paul turns toward the...
The Immaculate Conception refers to the Catholic doctrine that the Virgin Mary, mother of Christ, was herself born without sin. Following traditional iconography, Castiglione depicted her as Queen of Heaven, accompanied by angels and standing on a crescent moon, a symbol of chastity. The doctrine, much debated, was supported by...
Against an open, hilly landscape, the lifeless body of Christ hangs from a wood cross, his slumped head, open mouth and tense muscles capture the dramatic moment of his death. The monumental figures of the Virgin (left) and Saint John the Evangelist (right) stand at his side and in the...
Better known for grand, monumental compositions and illusionistic decorations, here Lanfranco painted on a smaller scale, successfully portraying an intimate moment between the Madonna, her son, and her nephew. While the Madonna tenderly caresses her son, the two children extend their arms toward each other, expressing both familial and divine...
Against a bright red background dotted with shimmering stars, the Three Kings pay homage to Christ. The artist depicted Christ as a lively child sitting on his mother's lap, with Joseph sitting behind them. The child dips his hands into the gold coins offered to him, symbolizing his...
This work was the left side of a diptych that probably depicted the Crucifixion on the opposite panel. At the lower left, looking up at a looming vision of the Virgin and Child, is a small, kneeling figure in rapt devotion. Lippo Memmi (Sienese, active 1317/1347) has given us...
This Coronation of the Virgin may be the first time the subject, which originated in the West, appears in Venetian art. Some of the earliest representations were carved above cathedral doorways in France—and certain elements in the Gallery's painting—its elaborate halos, for example—share in the...
Giotto's explorations and innovations in art during the early 14th century developed, a full century later, into the Italian Renaissance. Besides making panel paintings, he executed many fresco cycles—the most famous at the Arena Chapel, Padua—and he also worked as an architect and sculptor. Transformed by...
Standing on either side of this Nativity are two Hebrew prophets, whose writings—quoted on the scrolls they hold—are thought by Christians to foretell Jesus’s birth. The Gallery's Nativity joined other scenes from Jesus’s childhood (and other prophets) that unfolded along the front horizontal base...
This finely painted work depicts the Annunciation: the Archangel Gabriel announcing to the Virgin Mary that she has been chosen to become the mother of Christ. In a rather personal interpretation of the theme, Godfried Schalcken represented Mary as a young Dutch woman in contemporary dress, holding a loose scroll...
The Sienese artist who made this panel is named for the town—Città di Castello— where another of his paintings, bearing another image of the Virgin and Child in “majesty” (maestà in Italian), remains today. The Maestà--especially in this tall format--was frequently commissioned for the meeting places of lay brotherhoods....
Borne aloft by two angels, the Virgin is crowned Queen of Heaven by Christ, God the Father, and the Holy Spirit (in the form of a dove). Below, Joseph and Saint Francis of Assisi, displaying the stigmata on his open hands, kneel in reverence as they bear witness to the...
This small painting is less than 10 inches across, and it was surely made for the private devotions of the person who owned it. That the owner was of modest means is suggested not only by the painting’s size but also by the limited use of gilding. The area...
The Madonna of Humility, an extremely popular subject in Flanders, sits on the ground on a cushion, presenting the haloed Christ Child in her arms. A crescent visible below her skirts at the left symbolizes the moon on which the Virgin stands in representations of the Immaculate Conception. The open...
The mood is one of lavish ceremony, as Christ places an ornate gold crown upon the Virgin Mary’s slightly bowed head. Groups of musical angels watch from either side as she is crowned Queen of Heaven. Gentile da Fabriano used extensive tooling, pastiglia (areas of raised gesso which is...
The Virgin Mary bows her head and rests her cheek on her hand in a universally recognized gesture of grief. This panel and one depicting Saint John the Evangelist were originally part of a large, painted crucifix (see Reconstruction). The two mourners would have appeared at the ends of the...
Margaritone d'Arezzo (Italian, active second and third quarter 13th century) was the first artist from Arezzo whose name we know and whose work survives. He was active during the middle decades of the 13th century. About 300 years later, Giorgio Vasari (Florentine, 1511 - 1574), who published biographies...
This painting and the Enthroned Madonna and Child are the oldest paintings on the National Gallery of Art’s walls. They may have been created by the same anonymous artist in Constantinople (now Istanbul, Turkey), then the capital of the Byzantine Empire. Panels such as these were highly influential in...
The composition of this Virgin and Child is loosely based on the Hodegetria, one of the more powerful and enduring icon types of the Orthodox Christian church. The Virgin gestures toward the child to show him as the “way” (hodos in Greek), the source of salvation. The throne and her...
The Virgin Mary, enthroned as Queen of Heaven, is surrounded by angels, some in attitudes of prayer, others playing musical instruments and singing. Twisting in his mother’s lap, the infant Christ reaches for a lily, a symbol of Mary’s purity, and clutches a goldfinch, an allusion to his...
