Public domain paintings of Catholic male saints.
This painting depicts the heavenly vision of Saint Francis of Paola (1416–1507), founder of the Order of Minims, a religious order committed to perpetual abstinence and acts of humility. The saint experiences a vision in which the word “Charitas” (meaning Charity) appears in an aureole of golden light, accompanied...
The Old Testament tells of the shepherd boy, David, who felled a seemingly invincible adversary, Goliath, by slinging a stone that struck the giant on the forehead. The Biblical hero then used Goliath's own sword to cut off his head. Here, Cagnacci depicts David after the victory, when...
Bronzino depicts Saint John the Baptist's muscular figure in a restricted space, his torso twisted to accommodate the panel’s vertical format which creates a series of strong diagonal accents, zigzagging the length of the painting. This artificial, serpentine pose marks Bronzino’s move away from naturalism toward...
This small panel once decorated the predella of an altarpiece along with nine other small portraits of apostles, three of which are in the collection of the National Gallery of Art: Saint Matthew, Saint Simon, and Saint Judas Thaddeus. The brother of the apostle John, Saint James Major was in...
This image, along with Christ Blessing and Saint James Major, originally occupied a single panel. They and two others—one now in a museum in France, the other lost—were cut from the same altarpiece. It would have been an imposing work with triangular gables (see Reconstruction). The considerable dimensions...
Behold the Lamb of God, which taketh [away the sin of the world]. These words, inscribed in Latin on the scroll held by Saint John the Baptist, highlight the saint’s role as Christ’s forerunner, who announced his coming to the world. Standing against a gold background and enclosed...
Saint Luke, one of the four evangelists, is shown in the act of writing his Gospel. His halo is formed of intricately wrought punches, made by lightly tapping metal punching tools onto a background laid with gold leaf. His serene face is rendered in minute detail, with each hair of...
Observed by his symbol, the eagle, and poised to write God's words, Saint John looks up for divine inspiration, which he receives as brilliant light. Saint John, the Galilean fisherman who became one of Christ's apostles, is traditionally considered the author of the Gospel according to...
These panels once served as wings of a portable altarpiece used for private devotion. The left panel shows Saint Francis, who is recognized by the stigmata on his hands, feet, and side. The three knots tied in the sash around his waist symbolizing his Franciscan Order's three religious...
Standing on either side of this Nativity are two Hebrew prophets, whose writings—quoted on the scrolls they hold—are thought by Christians to foretell Jesus’s birth. The Gallery's Nativity joined other scenes from Jesus’s childhood (and other prophets) that unfolded along the front horizontal base...
Borne aloft by two angels, the Virgin is crowned Queen of Heaven by Christ, God the Father, and the Holy Spirit (in the form of a dove). Below, Joseph and Saint Francis of Assisi, displaying the stigmata on his open hands, kneel in reverence as they bear witness to the...
This and another panel in the National Gallery of Art depicting Saint James Minor were part of a large—11 feet long—and impressive altarpiece made for the church of San Francesco al Prato in Perugia (see Reconstructions). Only the monks and other clergy would have seen these paintings because...
Saint James Minor is one of the more elusive of Jesus’s disciples. He is usually identified—as in the inscription running along the arch here—as the son of Alphaeus, and by his attribute, a fuller's club. James was said to have been the first bishop of...
Saint John the Evangelist, most beloved of Jesus’s disciples, holds his head in sadness. According to John’s Gospel, he was present at Christ’s crucifixion, and this panel, along with one depicting the Virgin Mary also in the collection of the National Gallery of Art, was originally part...
The special mixture of reality, fantasy, and virtuosity that is particular to early Netherlandish painting is nowhere more apparent than in this exquisite panel. In an episode from the popular legend, Saint George in black Gothic armor pins the dragon to the ground with his lance; at the left kneels...
This side wing and its companion were once part of an altarpiece commissioned in 1408 by the confraternity of the Virgin and Saint Stephen for the church of Santo Stefano in Pane, on the outskirts of Florence. The central panel, now in the Minneapolis Institute of Arts, shows the Coronation...
During his devotions in the wilderness, Saint Bruno, the founder of the Carthusian order, a monastic community committed to solitary meditation, experienced a vision. Gazing intensely up at the sky, the saint tentatively reaches out to touch the mystical illusion of angels appearing in the sky. To the left, two...
Made just eight years before Rembrandt's death, this painting depicts Saint Bartholomew holding a knife in his right hand, a reference to the fact that he was skinned alive when martyred. One of Rembrandt's neighbors may have posed as the model for the saint. By showing...
Lurking in the shadows, grotesque monsters emerge to taunt Saint Anthony, attempting to impede his meditation. Grinning with satanic delight, the demons take human and raptor-like animal forms. Unperturbed, Saint Anthony continues to read his meditations. Divine light illuminates his figure, forming a bright halo around his head. He is...
Saint Sebastian is more conventionally depicted bound to a tree or pillar and pierced by arrows, or having his wounds tended to by Irene. Having recovered from the attempted execution by arrows, Roman Emperor Diocletian ordered that he be beaten to death and disposed of in the sewer. The denial...
This folding altarpiece depicts Saint Francis receiving the stigmata on the left and an angel crowning Saints Cecilia and Valerian with floral wreaths on the right. Delphine de Signe, an aristocrat living at the court of Naples in the early 1300s, had sworn a vow of virginity. Despite this, a...
This painting illustrates the Roman widow Irene nursing Saint Sebastian back to health after he was discovered to be a Christian and shot with arrows by Roman archers. Writhing in pain, Saint Sebastian looks heavenward as Saint Irene pulls arrows from his pierced body. Vicente López y Portaña dynamically composed...
Dosso Dossi depicts Saint George in the aftermath of his legendary battle with the dragon, wielding the creature's bloodied head and the lance broken during the fight. The victorious saint emerges from the darkness as a rainbow breaks through the storm clouds above. Dossi poignantly expressed his subject&...
