Adoration of the Magi (18th century) - Public Domain Orthodox Icon
Ukrainian icon of the Adoration of the Magi, made in the second half of the 18th century.
Free downloadable Catholic paintings which are in the public domain
Ukrainian icon of the Adoration of the Magi, made in the second half of the 18th century.
Jesus Christ rising from a marble tomb holding the cross of St. George, Christ is flanked by angels, and surrounded by frightened soldiers.
Daniel Hopfer I’s visionary image depicts the Virgin sobbing before Christ’s betrayal, scourging, and crucifixion. Knowing her son will die a gruesome death, she feels physical pain at his departure.
Oil on canvas painting by Jusepe de Ribera of the boy Jesus among the teachers in the Temple, dated 1612-1613.
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on blue laid paper, tipped onto cream laid paper
This initial E serves as a frame for the figure of Christ, shown here as the judge of the world with the swords of justice emanating from his mouth.
Etching in black on off-white laid paper
from William Hole's series of THE LIFE OF CHRIST, which was published in the UK and in the USA both (in various books and publications) before 1923.
Mughal, India. Medium: Gum tempera, ink, color, and gold on paper.
French. Etching on paper.
Flemish oil on panel painting of Christ on the Cross, made in Flanders about 1575-1605. The panel measures 40.1 x 32.3 cm.
Florence, Italy. Ink and tempera on vellum.
Medium: paint, gold and poplar wood. Dimensions: height: 25.8 cm (10.1 in); width: 20.3 cm (7.9 in).
Father Jerome Xavier (1549–1617) of the Society of Jesus, also known as the Jesuit order of Catholic priests, spent 19 years as a guest at the Mughal court from 1595 until 1614.
Pen and brown and black ink, brush and black, brown, and red-brown wash, over black chalk; framing lines in pen and brown ink.
Wood engraving drawn by Gustave Doré, engraved by J. Gauchard Brunier. Printed in: Heilige Schrift 1867 by Stuttgarter Druck- und Verlagshaus Eduard Hallberger.
This painting was once part of the Saint Anne Altarpiece, a series of 10 panels set within an architectural frame that hung behind a church’s altar. Gerard David and his workshop produced this large-scale project for export to Spain.
Brutal tormentors surround the suffering figure of Jesus as he carries his cross to Calvary, the site of his crucifixion. In the upper-left corner, his mother, Mary, and her companion are also reviled by the crowd.
Pen and brown ink and brush and brown and black and gray wash, over black chalk, on ivory laid paper
Lithograph in black on light gray China paper laid down on ivory wove paper.
Etching by Claude Vignon from the series The Miracles of Jesus Christ, made in France about 1638-1643, showing Christ delivering the possessed.
Throughout his career Édouard Manet managed to shock and confound the public with his bold technique and unorthodox approach to subject matter. The most startling feature of this painting is that he painted it at all.
Folio 58 recto, showing Pentecost, from a Book of Hours (Use of Rome) printed on parchment in Paris in 1510 by Guillaume Le Rouge.
This painting depicts a young Saint John the Baptist living as a hermit in the wilderness. His cross of reeds, pointing gesture, and the nearby lamb refer to his role as a prophet foretelling the coming of Christ, the so-called “lamb of God,” in the New Testament.