Adoration of the Magi (18th century) - Public Domain Orthodox Icon
Icon of the Adoration of the Magi from the early 18th century, from the village of Rodatychi in the Lviv region of Ukraine.
Shalone Cason
This site's editor-in-chief is a Catholic husband, father, and author. He loves sharing the Catholic faith through art and graphic design. Check out his prayer books and coloring books on Amazon.com
Check out the latest posts
The Adoration of the Christ Child (1490) by Vincenzo Frediani - Public Domain Catholic Painting
Tempera on panel, made in Florence, Italy. The painting measures 52 × 47.2 cm (20 1/2 × 18 9/16 in.).
The Holy Family with Mary Magdalen (1590–95) by El Greco - Public Domain Catholic Painting
The seemingly weightless figures, the startling color combinations, and the moody, imprecise setting all show El Greco’s interest in conveying the intense spirituality of these figures rather than their concrete reality.
Christ Stripped of His Garments (1580-1654) by Lorenzo Garbieri - Public Domain Catholic Painting
Pen and brown ink, with brush and brown wash, with black chalk, heightened with lead white (partly discolored), on tan laid paper, laid down on gray wove paper.
Adoration of the Christ Child (After 1479) by Workshop of Andrea della Robbia - Public Domain Catholic Stock Photo
Glazed terracotta. Dimensions: 67 × 44.5 cm (26 3/8 × 17 1/2 in.)
Monographia of the cathedral of Chartres - Theotokos and Child Christ with Angels (1867) - Public Domain Catholic Painting
Chrome lithography of the stained glass window: The life of Jesus, Paris, Imprimerie impériale.
The Denial of Peter (1624–1628) by Peter Wtewael - Public Domain Catholic Painting
Wtewael depicts when Peter denies knowing Jesus. Few works by this artist are known, and he draws on an unusual combination of styles.
The Flagellation (folio 182 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier (1602–1604) by Mughal India, Allahabad, made for Prince Salim - Public Domain Catholic Painting
Two Romans flog Jesus, bound to a stake on a hilly horizon. His expression conveys pain and compassion, as he endures cuts and bindings that secure him so tightly to the post that his feet are elevated off the ground.
Adoration of the Magi (18th century) - Public Domain Orthodox Icon
Ukrainian icon of the Adoration of the Magi, made in the second half of the 18th century.
The Resurrection of Jesus Christ (1499-1502 ) by Raphael - Public Domain Catholic Painting
Jesus Christ rising from a marble tomb holding the cross of St. George, Christ is flanked by angels, and surrounded by frightened soldiers.
Jesus Christ Parting from the Virgin to go and Suffer Death (1505-1536) by Daniel Hopfer, I - Public Domain Catholic Painting
Daniel Hopfer I’s visionary image depicts the Virgin sobbing before Christ’s betrayal, scourging, and crucifixion. Knowing her son will die a gruesome death, she feels physical pain at his departure.
Jesús entre los doctores (1612-1613) by Jusepe de Ribera - Public Domain Catholic Painting
Oil on canvas painting by Jusepe de Ribera of the boy Jesus among the teachers in the Temple, dated 1612-1613.
Ascension of Christ ( 1780–1820) by Giotto di Bondone - Public Domain Catholic Painting
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on blue laid paper, tipped onto cream laid paper
Initial E from a Municipal Law Book: The Last Judgment (1330) - Public Domain Catholic Painting
This initial E serves as a frame for the figure of Christ, shown here as the judge of the world with the swords of justice emanating from his mouth.
The Virgin Mary Cradling the Ba (1764) by Charles-François Hutin - Public Domain Catholic Painting
Etching in black on off-white laid paper
Jesus Amidst The Doctors In The Temple (1846-1917) by William Hole - Public Domain Catholic Painting
from William Hole's series of THE LIFE OF CHRIST, which was published in the UK and in the USA both (in various books and publications) before 1923.
The Marriage at Cana (folio 58 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier (1602-04) - Public Domain Catholic Painting
Mughal, India. Medium: Gum tempera, ink, color, and gold on paper.
Mary Magdalene washing Jesus' Feet (1787) by Pierre Subleyras - Public Domain Catholic Painting
French. Etching on paper.
The Conversion of Saul with Horseman and Banner (1645–47) by Jacob Jordaens - Public Domain Catholic Painting
Medium: Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge).
Christ on the Cross (1575–1605) - Public Domain Catholic Painting
Flemish oil on panel painting of Christ on the Cross, made in Flanders about 1575-1605. The panel measures 40.1 x 32.3 cm.
Miniature Excised from a Gospel Book with Initial L[iber generationis]: The Symbol of Saint Matthew (recto) (c. 1125–50) - Public Domain Catholic Painting
Florence, Italy. Ink and tempera on vellum.
Jesus Calling Zacchaeus from Geistliche Auslegung des Lebens Jesu Christi (The Spiritual Interpretation of the Life of Christ), Plate 15 from Woodcuts from Books of the 15th Century (1485) - Public Domain Catholic Painting
In this scene (Luke 19: 1-10), Jesus Christ passes through Jericho and notices a wealthy, but diminutive, devotee who has climbed a sycamore tree (drawn here with recognizable seed pods) in order to see him better.
Christ Taking Leave of His Mother (c. 1504–1505) by Albrecht Dürer - Public Domain Catholic Painting
Germany, early 16th Century. Medium: Woodcut
The Mocking of Christ (1280) by Cimabue - Public Domain Catholic Painting
Medium: paint, gold and poplar wood. Dimensions: height: 25.8 cm (10.1 in); width: 20.3 cm (7.9 in).