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Samuel plays a key role in the transition from the biblical judges to the United Kingdom of Israel under Saul, and again in the monarchy's transition from Saul to David. Jean-Hippolyte Flandrin was a French Neoclassical painter. His most celebrated work, Jeune Homme Nu Assis au Bord de...
This medallion of Christ is from a group of twelve that once surrounded an icon of the archangel Gabriel. The medallions may have been sent as a gift from the Byzantine court to the neighboring Christian state of Georgia. Free DownloadThis image is in the public domainartwork_1762982033.jpg464 KBdownload-circle...
This small gold pectoral cross of Roman form has splayed ends, and is set with five cabochon garnets, with a tubular ring for suspension. Free DownloadThis image is in the public domainPL7_57.1734_Fnt_BW_H44.jpg633 KBdownload-circle Please Subscribe or Donate to Help Keep This Site Free!...
The blue nicolo inltaglio has a delicate figure of Nike (Victory) standing on an orb and holding a wreath in her outstretched hand. The circular bezel is almost completely separated from the hoop and is held up by a pair of leopards. Other rings of this type contain coins of...
"Jesus Among the Doctors" (1560) by Paolo Veronese is a significant painting that depicts a scene from the Gospel of Luke.
This image is a contemporary, stylized line-art icon depicting Saint Nestor the Martyr.
According to sothebys.com, “God’s Creatures is a compelling portrait of a Catholic nun leaning out from her window, her hands clasped beneath her chin as she gazes wistfully at the flock of birds gliding about the tower. Von Blaas openly embraced the subject of religion throughout his career....
"Semper vivit amor" is Latin for "Love lives forever" and is the title of a 19th-century painting by Eugen von Blaas (also known as Eugene de Blaas) depicting a widow and children visiting a grave on All Souls Day, symbolizing enduring love beyond death. Free DownloadPublic...
This painting is a 19th-century work by the French academic artist William-Adolphe Bouguereau, titled "The Virgin, the Infant Jesus and Saint John the Baptist" or "La Charité" (Charity). It's a classic example of academic art that blends religious subject matter with a highly polished,...
This 19th-century painting by Stanisław Bieniecki is an allegorical representation of Poland as a personified female figure, a common national symbol in the Romantic era. The work blends religious and nationalistic iconography to portray the nation's identity, suffering, and enduring faith, particularly in the context of the partitions...
Émile Signol was a French artist who painted history paintings, portraits, and genre works. Although he lived during the Romantic period, he espoused an austere neoclassicism and was hostile to Romanticism. This neoclassic painting of the Crucifixion emphasizes dramatic realism and emotional intensity, departing from earlier, more stylized depictions. The...
Abune Tekle Haymanot (Ge'ez: አቡነ ተክለ ሃይማኖት; known in the Coptic Church as Saint Takla Haymanot of Ethiopia; 1215–1313) was an Ethiopian saint and monk mostly venerated as a hermit. He was the Abuna of Ethiopia who founded a major monastery in his native province of Shewa....
Abune Tekle Haymanot (Ge'ez: አቡነ ተክለ ሃይማኖት; known in the Coptic Church as Saint Takla Haymanot of Ethiopia; 1215–1313) was an Ethiopian saint and monk mostly venerated as a hermit. He was the Abuna of Ethiopia who founded a major monastery in his native province of Shewa....
This line drawing is a contemporary interpretation of a traditional Christian subject: the Virgin and Child, also known as the Madonna and Child. The composition is based on the iconic Hodegetria type, which means "She who shows the way." In this theological context, Mary is not just a...
This drawing is a contemporary icon of the Virgin Mary holding the Christ Child, with both figures shown in a stylized, frontal pose, characteristic of Orthodox Christian art. The Virgin and Child icon is a window to the divine, depicting Mary as the Theotokos (God-bearer) who bridges the gap between...
This line drawing is a contemporary interpretation of the Sacred Heart of Jesus, featuring a heart crowned with flames and a cross, and encircled by a crown of thorns. The Sacred Heart is a symbol of Jesus Christ's boundless and passionate love for humanity, representing His divine and...
The Church of Saint Sava is 79 m high and sits on the Vračar plateau in Belgrade, Serbia. It is the main cathedral of the Serbian Orthodox Church. The church is dedicated to Saint Sava, the founder of the Serbian Orthodox Church and an important figure in medieval Serbia.
The most common icon of Jesus holding a Bible (or more accurately, the Gospels) is the Christ Pantocrator. This icon depicts Jesus as the ruler of the world, often shown with a stern, somber expression, holding a book (the Gospels) in his left hand and making a blessing gesture with his right.
This is one of six paintings illustrating scenes from the life of Saint John the Baptist, a prophet considered a forerunner of Jesus. They were originally part of a group of 12 that possibly formed the doors of a reliquary shrine to the saint.
Bernat Martorell was the greatest painter of the first half of the fifteenth century in Catalonia in northeastern Spain. Depicted here is the most frequently represented episode from the popular legend of Saint George in which the model Christian knight saves a town and rescues a beautiful princess.
Rogier van der Weyden's Seven Sacraments Altarpiece is a monumental Late Gothic triptych that visually articulates the theological significance of the seven sacraments of the Catholic Church, with each sacrament depicted within a realistic church interior.
This Late Gothic painting depicts Saint George slaying the dragon, with the princess observing the heroic act and a fortified city in the background.
This watercolor depicts a priest and an altar boy, likely on their way to administer sacraments or perform a religious duty, captured with the artist's characteristic fluidity and observation of form.
Considered one of the most original and innovative Italian artists of the Baroque period, Giovanni Benedetto Castiglione literally separated light from darkness, creating form out of chaos in this work, his earliest known monotype.
