Public domain paintings of the Passion of Jesus Christ.
Please Subscribe or Donate [https://sdcason.com/donate] to Help Keep This Site Free! The arrest of Jesus was a pivotal event in Christianity recorded in the canonical gospels. Jesus, a preacher whom Christians believe to be the Son of God, was arrested by the Temple guards of the Sanhedrin...
Please Subscribe or Donate [https://sdcason.com/donate] to Help Keep This Site Free! Christ on the Cross, Christ between the two murderers or Le Coup de Lance is a 1620 painting of the Crucifixion of Jesus by Peter Paul Rubens, originally intended for the Convent of the Friars Minor....
Please Subscribe or Donate [https://sdcason.com/donate] to Help Keep This Site Free! The Descent from the Cross is the central panel of a triptych painting by Peter Paul Rubens in 1612–1614. It is still in its original place, the Cathedral of Our Lady, Antwerp, Belgium, along with...
Please Subscribe or Donate [https://sdcason.com/donate] to Help Keep This Site Free! The Descent from the Cross, or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion...
Please Subscribe or Donate [https://sdcason.com/donate] to Help Keep This Site Free! This large icon, meant to be seen by many people, was carried in church processions on holy days. The subject of Christ crowned with thorns and flanked by tormentors was modeled after Ethiopia's famous...
Please Subscribe or Donate [https://sdcason.com/donate] to Help Keep This Site Free! For the medieval viewer, this Crucifixion instantly recalled wrenching extra-biblical details, like the fact that Christ could not rest his head to the side lest his shoulders be pierced with thorns. The German tract Christi Leiden...
Please Subscribe or Donate [https://sdcason.com/donate] to Help Keep This Site Free! This diptych, or two-panel painting, is hinged at the center so that it could be opened and closed and easily transported. It was clearly designed as an object for private devotion. The owner would have been...
Please Subscribe or Donate [https://sdcason.com/donate] to Help Keep This Site Free! The burial of Jesus refers to the burial of the body of Jesus after crucifixion, before the eve of the sabbath described in the New Testament. According to the canonical gospel accounts, he was placed in...
Please Subscribe or Donate [https://sdcason.com/donate] to Help Keep This Site Free! This monumental panel probably once decorated a chapel. Both are from a large window in which the Crucifixion was in the center and the Saint Christopher at the right. The third panel, which would have been...
Please Subscribe or Donate [https://sdcason.com/donate] to Help Keep This Site Free! Despite the religious subject, the scale and intricate detail indicate that this painting was not for a church setting. Instead, as an independent work of art, a collector would have admired its artistry and unusual combination...
Please Subscribe or Donate [https://sdcason.com/donate] to Help Keep This Site Free! Jean de Beaumetz became the official court painter to the Burgundian duke, Philip the Bold, in 1376. Between 1389 and 1395 he created devotional paintings for the monks’ cells at the Chartreuse de Champmol, the monastery...
As Christ stumbled under the weight of the cross that he bore on the way to his crucifixion, Saint Veronica comforted him and wiped the blood and sweat from his face with her veil. The frontal view adopted in this portrait recalls the depiction of Christ’s face as it...
Peter Paul Rubens depicted the moment after the Crucifixion and before the Resurrection when Christ is placed into the tomb. He is being supported by those closest to him in life: John the Evangelist, in a brilliant red robe, bears the weight of Christ; Mary Magdalene cries in the background;...
Two of Christ's followers, Joseph of Arimathea and Nicodemus, carry his body from the cross to the tomb. Mary, his mother, kneels and pulls her son's face close to hers for one last moment, while Mary Magdalene kneels tearfully at his feet in splendid brocaded robes....
In this depiction of Christ’s arduous journey to his own crucifixion, Domenichino situates Christ at the forefront of the composition, gazing sorrowfully out at the viewer. Christ’s oppression and the cruelty of his tormentors are emphasized by the crowded composition, in which the figures seem to bear down...
Christ, haggard and sorrowful, weeps copiously. He wears the Crown of Thorns; its vicious spines pierce his forehead and his right eyebrow and extend menacingly outwards, accentuated by the brilliant golden radiance behind him. Blood from his wounds runs through his hair, down the neckline of his cloak and beneath...
As was customary for promising Dutch painters in the 1600s, Gerrit van Honthorst traveled to Italy to complete his artistic training. In Rome he fell under the spell of Caravaggio's revolutionary style and adopted his use of realistic figures and dramatic lighting, known as chiaroscuro. In Italy he...
Drops of blood are visible on Christ's brow as he carries the cross to his Crucifixion. The immediacy of this close-up image invites the viewer to contemplate the pain and meaning of Christ's sacrifice. Associated with Leonardo da Vinci, Marco d'Oggiono subtly manipulated light...
In this painting, the Virgin Mary, Saint John the Evangelist, and Saint Mary Magdalene grieve over the body of Christ while displaying it to the viewer. Although Gerard David and earlier Netherlandish painters often treated the Lamentation as a private devotional subject, this panel was part of a large altarpiece...
This is a rare example of a surviving 15th-century painting from the northern provinces of the Netherlands (present-day Holland). This region had fewer centers of artistic production than the more populous southern Netherlands, and it also experienced substantial destruction of artworks during the iconoclastic outbursts of the mid-16th century. The...
This manuscript was illuminated by a circle of at least five highly organized manuscript painters active in the Flemish cities of Ghent and Bruges. The principal illuminator was Alexander Bening, who painted the majority of the book's miniatures. Manuscripts produced by this circle of artists are renowned for...
Against an open, hilly landscape, the lifeless body of Christ hangs from a wood cross, his slumped head, open mouth and tense muscles capture the dramatic moment of his death. The monumental figures of the Virgin (left) and Saint John the Evangelist (right) stand at his side and in the...
In this painting, El Greco combines the iconic power of the crucifix with the expressive power of landscape painting. He sets the cross atop Golgotha, the "place of the skull," with Jerusalem looming in the background. He eliminates the other characters from the biblical narrative, encouraging the viewer...
This small painting was probably the right-hand side of a diptych with two hinged panels. Very likely the panel opposite depicted the Virgin and Child. The man or woman who meditated on this image during private devotions would have made an intimate connection with the grief of the mourners who...
