Public domain Catholic and Bible paintings from the medieval art period.
Details: The Ascension of Jesus (anglicized from the Vulgate Latin: ascensio Iesu, lit. 'ascent of Jesus') is the Christian teaching that Christ physically departed from Earth by rising into Heaven, in the presence of eleven of his apostles. According to the New Testament narrative, the Ascension occurred on...
Details: Psalters were commonly used in monasteries and convents during the Middle Ages; the exact origin of this detached psalter leaf, however, is unclear. Stylistically it relates to a small number of manuscripts produced at Prüfening Abbey near Regensburg and to other examples associated with scriptoria at Augsburg from the...
Details: This large initial A introduces the matins (about 2:30 AM) response for Easter: Angelus Domini descendit de celo... (An angel of the Lord descended from heaven...). The letter that begins the text is commonly and appropriately decorated with a depiction of this Easter morning event. The three holy...
This splendid crucifixion scene originally served as the canon illustration in a liturgical missal. The open landscape is remarkable since it is not found in Dutch missals before the end of the 1500s. The large number of figures at the foot of the cross is also exceptional.
In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library.
Paul of Thebes is known to posterity because around the year 342, Anthony the Great was told in a dream about the older hermit's existence, and went to find him. Jerome related that Anthony the Great and Paul met when the latter was aged 113.
The crucifixion of Jesus occurred in 1st-century Judea, most likely in either AD 30 or AD 33. Jesus' crucifixion is described in the four canonical gospels, referred to in the New Testament epistles, attested to by other ancient sources, and is considered an established historical event by many.
For the medieval viewer, this Crucifixion instantly recalled wrenching extra-biblical details, like the fact that Christ could not rest his head to the side lest his shoulders be pierced with thorns.
As Passion obsession developed, so did indulgences, which reduced one's punishment for sins. In the fifteenth century, people who prayed to Christ's body could earn 300 days per limb.
The Coronation of the Virgin celebrates the culminating scene in the narrative cycle of the life of the Virgin. The subject follows Mary’s ascent into heaven after her death. Surrounded by a choir of music-making angels, the Virgin kneels to accept her crown from God and Christ.
These pinnacles were originally set on top of a multipanel altarpiece that has now been lost. The angels' gestures and glances suggest that they were placed to the left and right of a central image.
The Virgin Mary, hieratic and still, looks out toward the viewer while gently supporting Christ with her left arm. The smiling infant gazes lovingly toward her and playfully stretches out his arm, grabbing the edge of her gold-trimmed, blue cloak.
For the medieval viewer, this Crucifixion instantly recalled wrenching extra-biblical details, like the fact that Christ could not rest his head to the side lest his shoulders be pierced with thorns.
According to tradition, John the Baptist wears a hair shirt under a white cloth, associated with newly baptized Christians. The flag bearing a red cross symbolizes resurrection. In marked contrast, the background features a lavish gold-patterned silk.
This is a stained glass window—designed in North Netherlands—portrays the story told in I Kings 17: 8-24, in the city of Zarephath the prophet Elijah met a widow gathering sticks who gave him food and drink.
This diptych, or two-panel painting, is hinged at the center so that it could be opened and closed and easily transported. It was clearly designed as an object for private devotion. The owner would have been able to contemplate the Passion of Christ and pray before these scenes.
This small but opulent panel painting was once joined to another panel with hinges to form a diptych. Given its small size, its original function was for private devotional use. It could be folded like a book when not in use and was highly portable.
This central panel from an altarpiece shows the Madonna seated on a throne with the infant Christ, surrounded by kneeling angels and six-winged seraphim. Below is an image of the dead Christ flanked by the Virgin Mary and Saint John.
Jean de Beaumetz became the official court painter to the Burgundian duke, Philip the Bold, in 1376. Between 1389 and 1395 he created devotional paintings for the monks’ cells at the Chartreuse de Champmol, the monastery founded by Philip and his wife Margaret to house the ducal tombs.
It is likely this pair of enamel plaques depicting the apostles Simon with Thaddeus and Thomas with Matthew once formed part of the decoration of a portable altar, a reliquary triptych, or some other kind of liturgical object.
This initial B, introducing the first psalm, Beatus vir, represents King David who is shown here playing a psaltery, a stringed instrument consisting of a shallow box that is plucked, instead of his more traditional harp. The psaltery was widely popular in Europe during the 14th and 15th centuries.
This miniature was taken from a choir book and shows two female figures. Their golden halos mark them as saints and the lily scepters as virgins. It is attributed to the Sienese painter Niccolò di ser Sozzo.
Lucia of Syracuse (283–304), also called Saint Lucia (Latin: Sancta Lucia) or Saint Lucy, was a Christian martyr who died during the Diocletianic Persecution. She is venerated as a saint in the Roman Catholic, Anglican, Lutheran, and Eastern Orthodox churches. She is one of eight women (including Saint Mary)...
According to The Golden Legend, Margaret the Virgin was a native of Antioch and the daughter of a pagan priest named Aedesius. Her mother having died soon after her birth, Margaret was nursed by a Christian woman five or six leagues (6.9–8.3 miles) from Antioch. Having embraced...
