Public domain Catholic paintings of Jesus Christ.
Christ on the cross between the two thieves, with the Virgin Mary, Saint John and the holy women beneath. An icon of the Sudova Vyshnia school of icon painting, 1st half of the 17th century, from Lipie, now in the Historical Museum in Sanok, Poland.
Christ as Pantocrator, the ruler of all, raises his hand in blessing and holds an open Gospel book against a gilded ground. An icon of the Lviv school of icon painting, first half of the 17th century, from St. Paraskeva Church in Lviv, Ukraine.
Christ rides a donkey into Jerusalem on Palm Sunday as the crowd greets him with palm branches and spreads garments in his path (Matthew 21:1-11). An icon of the Lviv school of icon painting, first half of the 17th century, from St. Paraskeva Church in Lviv, Ukraine.
Christ ascends in glory, supported by angels, while the Virgin Mary and the apostles look up from the earth below (Acts 1:6-11). An icon of the Lviv school of icon painting, first half of the 17th century, from St. Paraskeva Church in Lviv, Ukraine.
Christ shines in glory between Moses and Elijah while Peter, James and John fall to the ground below (Matthew 17:1-9). An icon of the Lviv school of icon painting, first half of the 17th century, from St. Paraskeva Church in Lviv, Ukraine.
The risen Christ breaks open the gates of hell and raises Adam from the dead, while the kings and righteous of the Old Testament look on. A cross-topped Calvary and the empty tomb appear in the distance. An icon of the Lviv school of icon painting, first half of the 17th century, from St. Paraskeva
The holy women arrive at the tomb with ointments and find an angel seated beside the empty burial cloths (Mark 16:1-8). An icon of the Sudova Vyshnia school of icon painting, 1st half of the 17th century, from Lipie, now in the Historical Museum in Sanok, Poland.
A large icon with the Crucifixion at its centre, with Mary and Saint John beneath the cross, surrounded by small scenes of Christ's Passion and Resurrection. An icon of the Sudova Vyshnia school of icon painting, 1st half of the 17th century, from Lipie, now in the Historical Museum in Sanok, Poland
The Holy Face of Christ on a cloth, set against a gilded ground and supported by two angels. It is part of the Zhovkva iconostasis (1697-1699) by Ivan Rutkovych, now in the Andrey Sheptytsky National Museum in Lviv, Ukraine.
Mary and Joseph bring the infant Christ to the temple, where Simeon receives him (Luke 2:22-38). It is part of the Zhovkva iconostasis (1697-1699) by Ivan Rutkovych, now in the Andrey Sheptytsky National Museum in Lviv, Ukraine.
On Easter morning the myrrh-bearing women come to the tomb and are met by an angel seated at its entrance, who announces the Resurrection (Mark 16:1-8). It is part of the Zhovkva iconostasis (1697-1699) by Ivan Rutkovych, now in the Andrey Sheptytsky National Museum in Lviv, Ukraine.
Christ speaks with the Samaritan woman beside Jacob's well (John 4:1-42), while the disciples gather behind him. It is part of the Zhovkva iconostasis (1697-1699) by Ivan Rutkovych, now in the Andrey Sheptytsky National Museum in Lviv, Ukraine.
Christ the King of Glory in royal crown, raising his hand in blessing and holding an open book. An icon of the Rybotychy School of icon painting, early 18th century, now in the Lviv Museum of the History of Religion, Ukraine. Restoration: G. Druzyuk.
Christ is transfigured in light on the mountain, with Peter, James and John fallen at his feet (Matthew 17:1-9). It is part of the Zhovkva iconostasis (1697-1699) by Ivan Rutkovych, now in the Andrey Sheptytsky National Museum in Lviv, Ukraine.
The Holy Face of Christ on the cloth, held by two angels, in a gilded frame. An icon of the second half of the 17th century in the Castle-Museum in Lancut, Poland.
Christ rides a donkey into Jerusalem on Palm Sunday as the crowd lays down garments before him (Matthew 21:1-11). It is part of the Zhovkva iconostasis (1697-1699) by Ivan Rutkovych, now in the Andrey Sheptytsky National Museum in Lviv, Ukraine.
Christ enthroned as Pantocrator, the ruler of all, between the Virgin Mary and Saint John the Baptist who intercede for the faithful, in the traditional Deesis composition. It is part of the Zhovkva iconostasis (1697-1699) by Ivan Rutkovych, now in the Andrey Sheptytsky National Museum in Lviv, Ukra
Christ on the cross, with the Virgin Mary and Saint John standing beneath, and angels above. An icon of the Przemyśl school of icon painting, mid-16th century, from the Church of the Archangel Michael in Stara Skvariava, now in the Andrey Sheptytsky National Museum in Lviv, Ukraine.
Christ and the twelve apostles gather at table for the Last Supper. It is part of the Zhovkva iconostasis (1697-1699) by Ivan Rutkovych, now in the Andrey Sheptytsky National Museum in Lviv, Ukraine.
The risen Christ appears to Mary Magdalene in the garden near the tomb on Easter morning (John 20:11-18). It is part of the Zhovkva iconostasis (1697-1699) by Ivan Rutkovych, now in the Andrey Sheptytsky National Museum in Lviv, Ukraine.
Christ rises in glory from the tomb, with a guard at the left and the holy women at the right. An icon of the Sudova Vyshnia school of icon painting, 1st half of the 17th century, from Lipie, now in the Historical Museum in Sanok, Poland.
Christ ascends into heaven, borne up by angels, while the Virgin Mary and the apostles look on from below (Acts 1:6-11). It is part of the Zhovkva iconostasis (1697-1699) by Ivan Rutkovych, now in the Andrey Sheptytsky National Museum in Lviv, Ukraine.
Christ raises his friend Lazarus from the tomb, as onlookers draw back (John 11:1-44). An icon of the Sudova Vyshnia school of icon painting, 1st half of the 17th century, from Lipie, now in the Historical Museum in Sanok, Poland.
A color print from 1905 showing the Holy Family at home in Nazareth: Jesus stands at a simple wooden table while Mary, in a blue veil, and Joseph look on.
