The Resurrection of Jesus Christ (1499-1502 ) by Raphael - Public Domain Catholic Painting
Jesus Christ rising from a marble tomb holding the cross of St. George, Christ is flanked by angels, and surrounded by frightened soldiers.
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Jesus Christ rising from a marble tomb holding the cross of St. George, Christ is flanked by angels, and surrounded by frightened soldiers.
Daniel Hopfer I’s visionary image depicts the Virgin sobbing before Christ’s betrayal, scourging, and crucifixion. Knowing her son will die a gruesome death, she feels physical pain at his departure.
Oil on canvas painting by Jusepe de Ribera of the boy Jesus among the teachers in the Temple, dated 1612-1613.
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on blue laid paper, tipped onto cream laid paper
This initial E serves as a frame for the figure of Christ, shown here as the judge of the world with the swords of justice emanating from his mouth.
Etching in black on off-white laid paper
from William Hole's series of THE LIFE OF CHRIST, which was published in the UK and in the USA both (in various books and publications) before 1923.
Mughal, India. Medium: Gum tempera, ink, color, and gold on paper.
French. Etching on paper.
Medium: Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge).
Flemish oil on panel painting of Christ on the Cross, made in Flanders about 1575-1605. The panel measures 40.1 x 32.3 cm.
Florence, Italy. Ink and tempera on vellum.
In this scene (Luke 19: 1-10), Jesus Christ passes through Jericho and notices a wealthy, but diminutive, devotee who has climbed a sycamore tree (drawn here with recognizable seed pods) in order to see him better.
Germany, early 16th Century. Medium: Woodcut
Medium: paint, gold and poplar wood. Dimensions: height: 25.8 cm (10.1 in); width: 20.3 cm (7.9 in).
Father Jerome Xavier (1549–1617) of the Society of Jesus, also known as the Jesuit order of Catholic priests, spent 19 years as a guest at the Mughal court from 1595 until 1614.
Pen and brown and black ink, brush and black, brown, and red-brown wash, over black chalk; framing lines in pen and brown ink.
Wood engraving drawn by Gustave Doré, engraved by J. Gauchard Brunier. Printed in: Heilige Schrift 1867 by Stuttgarter Druck- und Verlagshaus Eduard Hallberger.
This triptych features scenes from the infancy and Passion of Christ, arranged in a chronological sequence from left to right, starting at the bottom with the Annunciation, the Adoration of the Magi, and the Presentation in the Temple.
This painting was once part of the Saint Anne Altarpiece, a series of 10 panels set within an architectural frame that hung behind a church’s altar. Gerard David and his workshop produced this large-scale project for export to Spain.
Brutal tormentors surround the suffering figure of Jesus as he carries his cross to Calvary, the site of his crucifixion. In the upper-left corner, his mother, Mary, and her companion are also reviled by the crowd.
Painted wood and terracotta with various textiles.
Pen and brown ink and brush and brown and black and gray wash, over black chalk, on ivory laid paper
Lithograph in black on light gray China paper laid down on ivory wove paper.