This scene of the Resurrection, along with 11 additional embroideries of the life of Christ, may have formed an altar frontal, a hanging decorating the front of an altar. Originally, expensive gold thread covered the background, but it was removed and probably melted down for its monetary value.
This scene of the Last Supper clearly shows each disciple, including Judas, who is seen at the lower right clutching his bag of money, a reference to his future betrayal.
Oak wall statue of the risen Christ. It is 69.2 cm (27 1/4 in.) tall.
The donors are Pons de Gontaut and his brother Armand, Bishop of Sarlat, in whose family funerary chapel this sculpture and the Entombment originally stood. Their coats of arms were held by the angels in the Entombment scene.
Glazed terracotta. Dimensions: 67 × 44.5 cm (26 3/8 × 17 1/2 in.)
This triptych features scenes from the infancy and Passion of Christ, arranged in a chronological sequence from left to right, starting at the bottom with the Annunciation, the Adoration of the Magi, and the Presentation in the Temple.
This sculpture of the crucified Christ reportedly came from a church in Banyoles in northeastern Spain. It was displayed between the choir and the nave, which was the space reserved for the congregation. Originally painted and gilded, it would have provided a dramatic focal point for the faithful.
The close similarity of this fragment to the image of Christ with angels on the Ascension ivory (17.190.46) suggests that ivory carvers carved the same image for more than one patron.
The angular drapery of the loincloth, the facial expression, and the linear treatment of the hair and beard of Christ suggest the sculptor was a follower of the Rimini Master. src: metmuseum.org Free DownloadThis image is in the public domain.crucifix.jpg411 KBdownload-circle Please SUBSCRIBE or DONATE to...
Piety in the late Middle Ages encouraged the believer's intense emotional empathy in the suffering of Christ. Here, stone is transformed into flesh by the actual wood thorns piercing the forehead. The capacity for sculptural naturalism developed in Burgundy by Claus Sluter (ca. 1360–before 1406) and Niclaus...
The coats of arms of the donors, Pons de Gontaut and his brother Armand, in whose family funerary chapel this sculpture and the Pietà opposite originally stood, were held by the angels. The donors are represented in the Pietà. Free DownloadThis image is in the public domain.entombment-of-christ....
The lifeless body of Jesus Christ, taken off the cross after his crucifixion, rests in his mother Mary’s lap. John the Evangelist holds his head. Mary Magdalene, with an ointment jar, looks at his feet—according to the Gospel of Saint John, she had once anointed Jesus’s feet...
Jesus is seen dead on the cross while his mother, Mary, and his favorite disciple, the Evangelist Saint John, mourn below. This large-scale work embodies the characteristics of Romanesque sculpture in the medieval period, with its heavy stylized bodies, calligraphic depiction of hair, and linear, energetic approach to rendering...
With extraordinary anatomical precision, this sculpture focuses on the suffering of Christ, who is shown still alive and in extreme physical pain. Ivory was the material of choice for depictions of Jesus, not merely because it was an exotic material imported at great expense from southern Africa, but also because...
This outdoor devotional statue presents the Madonna and Child atop an inscribed plinth, typical of Marian columns or roadside shrines found throughout Central Europe.
The statue "The Redeemer" by Michelangelo, also known as Christ the Redeemer or Christ Carrying the Cross, was created between 1519 and 1521. It is a marble sculpture located in the Basilica di Santa Maria sopra Minerva in Rome, Italy. This impressive work of art is a significant...
About the Image: This is a captivating representation of the "Baptism of Christ," housed in the Saint James the Apostle church in Szomód. The sculptural piece captures the moment when Jesus Christ is baptized by John the Baptist. Looking closely at the artwork, we can observe a few...
About the Image: In the peaceful grounds of Hotel del Convento, a white statue of Saint Joseph and the child Jesus stands prominently. Joseph, portrayed with a protective demeanor, holds lilies in one hand symbolizing his purity and union with the Virgin Mary. Beside him, the young Jesus clutches Joseph&...
About the Image: The sculpture depicts a seated figure of the Virgin Mary holding the Christ Child on her lap. The figure is wearing a crown and a long robe, while the child is looking up at her. The sculpture is carved from wood and has a dark patina. The...
Holy Week procession Wikipedia0:00/0:301×Details: A Holy Week procession is a public ritual march of clergy and penitents which takes place during Holy Week in Christian countries, especially those with a Catholic culture. Various images of the saints, especially the Virgin Mary, and most importantly the image...
Details: This seated Virgin and Child was carved in the middle of the 13th century, a time when private devotional practices became increasingly popular. In bedchambers or in small oratories, private domestic spaces set aside for prayer, images like this would have served as focal points for prayer and meditation....
Details: Gian Lorenzo Bernini's sculpture "Cristo Crocifisso" (The Crucified Christ) is a life-size bronze sculpture of the crucified Jesus[2]. It was cast in 1650 and held in Bernini's private collection for 25 years[2]. It is believed that Bernini cast three versions...
Details: The Deposition is a marble sculpture by the Italian High Renaissance master Michelangelo. It depicts four figures: the dead body of Jesus Christ, newly taken down from the Cross, Nicodemus (or possibly Joseph of Arimathea), Mary Magdalene, and the Virgin Mary. The sculpture is housed in the Museo dell&...
Details: The Virgin Mary holds the Christ Child on her right hip and stands upon a crescent moon, an allusion to the passage in Revelation 12 that describes Mary as "a woman clothed with the sun, with the moon under her feet." Christ grasps her exposed nipple as...
