The Holy Family with Saint John the Baptist and Saint Margaret (1488–1493) by Filippino Lippi

Lippi’s sophisticated composition gracefully overlaps five figures in a round format: the Virgin Mary and Saint Joseph with the child Jesus, and Saint Elizabeth holding John the Baptist on the right. Oliviero Carafa, Cardinal of Naples, commissioned this work, although Lippi probably painted it in Rome while working for the cardinal’s family, an example of the widespread taste across Italy for the art of Florence. Meticulously detailed still-life elements on the parapet, thick with symbolic meaning, reflect Lippi’s interest in northern European painting he would have seen in Florence. Likewise the classical architecture—referring to the pagan world cast off by Christianity—demonstrates his engagement with ancient art and architecture in Rome. Embellished with learned references and made with expensive materials, this painting would have actively inspired religious meditation and demonstrated the patrons’ courtly, civilized taste.

This type of painting is known as a tondo, a circular work of art.

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This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This photographic reproduction is considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted.

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The Holy Family with Saint John the Baptist and Saint Margaret | Cleveland Museum of Art

Lippi’s sophisticated composition gracefully overlaps five figures in a round format. Oliviero Carafa, Cardinal of Naples, commissioned this work, although Lippi probably painted it in Rome while working for the cardinal’s family, an example of the widespread taste across Italy for the art of Florence. Meticulously detailed still-life elements on the parapet, thick with symbolic meaning, reflect Lippi’s interest in northern European painting he would have seen in Florence. Likewise the classical architecture—referring to the pagan world cast off by Christianity—demonstrates his engagement with ancient art and architecture in Rome. Embellished with learned references and made with expensive materials, this painting would have actively inspired religious meditation and demonstrated the patrons’ courtly, civilized taste.

Cleveland Museum of Art