The Adoration of the Magi (1510-1515) - Public Domain Catholic Stock Photo
Stained glass panel of colorless glass with vitreous paint and silver stain, made in Cologne, Germany. It measures 39.1 x 34.6 cm (15 3/8 x 13 5/8 in.).
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Stained glass panel of colorless glass with vitreous paint and silver stain, made in Cologne, Germany. It measures 39.1 x 34.6 cm (15 3/8 x 13 5/8 in.).
Writing on a long scroll, the youthful saint records divinely inspired revelations. Due to his youthfulness, he probably represents Saint John, who, in addition to his own Gospel, was believed to have written the Apocalypse (Book of Revelation) while living in exile on the Greek Island of Patmos.
Oak wall statue of the risen Christ. It is 69.2 cm (27 1/4 in.) tall.
The donors are Pons de Gontaut and his brother Armand, Bishop of Sarlat, in whose family funerary chapel this sculpture and the Entombment originally stood. Their coats of arms were held by the angels in the Entombment scene.
Represented as Queen of Heaven, the Virgin holds a playful Christ Child who, in turn, has caught a bird in flight. The bird symbolizes the soul and its resurrection. The bird nourishes itself on the blood of Christ, an act that refers to the Eucharist.
The Catalan sculptor, architect, and painter Guillem Seguer was active in the diocese of Lleida and elsewhere in the mid-1300s. This limestone statue with polychromy and gilding measures 132.7 x 41.6 x 32.1 cm (52 1/4 x 16 3/8 x 12 5/8 in.).
Limestone statue with traces of polychromy, made in Troyes, France. It measures 75.9 x 43.8 x 30.5 cm (29 7/8 x 17 1/4 x 12 in.).
Limestone relief statue with traces of polychromy and gilding, made in Lorraine, France. It measures 69.9 x 54.6 x 27.3 cm (27 1/2 x 21 1/2 x 10 3/4 in.).
Glazed terracotta. Dimensions: 67 × 44.5 cm (26 3/8 × 17 1/2 in.)
Painted wood and terracotta with various textiles.
The saint was previously identified as possibly Saint Ignatius of Loyola, but does not resemble portraits of Ignatius Left and above, allegories of the Holy Trinity, with lettering "Tres sunt qui dant testimonium in terra, et hi tres unum sunt" and "Tres sunt qui dant testimonium in coelo, et hi…
French stone statue of the Virgin and Child from the 15th century, about 141.6 cm (55 3/4 in.) tall.
English alabaster carving of the Coronation of the Virgin with polychromy and gilding, made in England in the 15th century. It measures 40 x 27.3 cm.
This sculpture of the crucified Christ reportedly came from a church in Banyoles in northeastern Spain. It was displayed between the choir and the nave, which was the space reserved for the congregation. Originally painted and gilded, it would have provided a dramatic focal point for the faithful.
The close similarity of this fragment to the image of Christ with angels on the Ascension ivory (17.190.46) suggests that ivory carvers carved the same image for more than one patron.
Leaves from a Coptic manuscript dating from the 6th to the 14th century.
Orthodox Christian cross with the inscription Iesus Hristos is victor. Free DownloadThis image is in the public domain.orthodox-cross.jpg34 KBdownload-circle Please SUBSCRIBE or DONATE to help keep this site free!...
Photograph of an Orthodox Christian pro-life rally, taken in 2020.
Photograph of St. Elijah Antiochian Orthodox Christian Church, taken in 2016.
Saint Bridget of Sweden (ca. 1303–1373) is shown in the act of writing her “Revelations,” which, according to legend, were dictated to her by Christ himself. Shown in the monastic habit of the order she founded, Saint Saviour of the Brigittines, she was especially popular in Northern Europe. Free...
Photograph of the Gospel lesson being chanted during Divine Liturgy in an Orthodox church, taken in 2009.
The angular drapery of the loincloth, the facial expression, and the linear treatment of the hair and beard of Christ suggest the sculptor was a follower of the Rimini Master. src: metmuseum.org Free DownloadThis image is in the public domain.crucifix.jpg411 KBdownload-circle Please SUBSCRIBE or DONATE to...
The penitent Magdalen at the base of a now-lost crucifix was the focus of a carved altarpiece. Depictions of Mary Magdalen as a solitary figure before the cross first appeared in Italian painting of the twelfth century. src: metmuseum.org Free DownloadThis image is in the public domain.mary-...
This profile image of a bishop, carved in the dark limestone characteristic of the South Lowlands, is a fragment of a larger funerary relief. Although isolated from its original context, the sculpture still conveys the solemnity of the memorial monument. The image was carved at about the time when the...