About the Image:

Her hands raised heavenward in a gesture of deepest distress, the Virgin Mary has sunk to the ground. Her body is grouped with those of the disciples offering her support and the mourning woman behind her in such a way as to imitate the form of Christ’s cross, which is being erected in the background. Philipp Uffenbach – the young Adam Elsheimer’s Frankfurt teacher – thus staged the Virgin suffering vicariously for her son. The pain endured by the Blessed Mother beneath the cross is intended to provide the faithful with access to the experience of Christ’s Passion.


For almost 700 years, from 1245 until 1923, the Holzhausens were one of Frankfurt's most important patrician families and prominent members of the Imperial City's town council. More than thirty members of the family served as mayor on some seventy occasions. Until about 1500 the family were merchants on a large scale, but then concentrated on administering their country property and feudal lands. The death of Adolph Freiherr von Holzhausen (1866-1923) marked the end of the older branch of the family on the male side. He bequeathed to the Städel the ancestral portrait gallery of Frankfurt's Holzhausen family, which dated back to the time of the Renaissance. The portrait collection exhibits the particular charm of an ancestral gallery that has been maintained over many generations. source

This image is in the public domain.

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