Bronze oil lamps were made either with stands, like the nearby example, or with chains for suspension on hooks within homes and churches. This lamp is cast in the form of a griffin, a guardian figure from antiquity frequently used in Byzantine churches, which contained much wealth. The Christian mon
After the Crusader conquest of the Holy Land in 1099, Jerusalem experienced a revival of Christian pilgrimage. During the 12th century, the Church of the Holy Sepulcher was rebuilt, redecorated, and reconsecrated. With the influx of new pilgrims, especially from Western Europe, lead ampullae (small
These flasks bear the image of Saint Menas, an early martyr of the Christian Church whose shrine was in the desert southwest of Alexandria in Egypt. These flasks were probably used by pilgrims to hold oil taken from the lamp that burned over this saint's tomb. Probably manufactured near the shrine,
This rare Ottoman embroidery features a floral bouquet that enriches the field under an elegant arch of gilt-metal thread. Flanked by vines of tulips and irises on a silver-metal-thread ground, vases of tulips and jonquils within cartouches adorn the main border and the well-turned corners, a sign o
This pyx shows Christ as Pantokrator (Ruler of the World), the Apostles, and the Virgin as a continuous frieze of figures seated in high-backed chairs with cushions. The tapered lip of the body of the pyx was intended to dovetail into the missing lid. Because of its style, the box is thought to be f
This rare surviving hanging with Christian symbols likely served as a wall decoration in a church or a home. The three men who stand beneath an arch may represent the three Hebrews who refused to worship a golden idol, and when cast into the fiery furnace, remained unharmed due to God’s deliverance
The images found on the sides of surviving lead pilgrims' ampullae include scenes relating to the life of Christ, and by extension to the holy sites (loca sancta) where the events took place. Cast into the sides of this ampulla are scenes of Christ's Crucifixion on the front and the Ascension on the
Impressively large and elaborately embellished, the cross to which this fragment belonged was likely carried in liturgical processions. The central medallion on its front depicts Christ, flanked by medallions showing the Virgin and Saint John the Baptist. Together they form the Deesis, a powerful By
It was a common early Christian practice to stamp images and inscriptions into loaves of bread using special molds. Representing the Church of the Holy Sepulcher on Mount Golgotha--the hill outside Jerusalem on which Christ was crucified and entombed--this wooden mold was probably used to stamp loav
In this extraordinary fragment with a rare background resembling woven silk patterns, two roundels in the corners display the busts of haloed Evangelists holding books and raising their right hands in a gesture of teaching. In the center, the large roundel preserves traces of an enthroned figure, pr
These four liturgical silver vessels—a paten and three chalices (1950.378–81)—form what is now called the Beth Misona Treasure, named for the village in northern Syria for which the objects were made. While nothing is known about the exact location and circumstances of the treasure's discovery, the
The inscription identifies the image as Christ Antiphonetes, an icon type used by the empress Zoe (r. 1028–50) for her coinage. Steatite, easily carved stone, usually soft green or buff in color, came to be widely used for the production of small icons. source: metmuseum.org Free DownloadThis image...
This is the Church of the Holy Apostle Thomas (Serbian: Crkva Svetog apostola Tome). It is situated in the Bežanijska Kosa neighborhood of New Belgrade (Novi Beograd), Serbia. It is a Serbian Orthodox church. Free DownloadThis image is in the public domain.download.jpg639 KBdownload-circle Please SUBSCRIBE or DONATE...
A plain gold hoop with a high bezel treated with a row of fleur-de-lys in high relief. The bezel is inset with a disc nielloed with a cross within a wreath. Free DownloadThis image is in the public domainPL2_57.1582_Top_BW.jpg864 KBdownload-circle Please Subscribe...
State officials in the early Byzantine Empire often inspected newly minted silver objects and stamped them to attest to the metal's purity. Four such stamps on the bottom of this cup for Communion wine contain, together with the inspectors' names, the monograms of Emperor Justinian (ruled 527-...
The center of this thin dress ornament, which would have been sewn onto a garment through the four holes, is dominated by an imperial cross. The two globes on either side of it represent the two empires (East and West), ruled by two-emperors during the 2nd half of the...
This small gold pectoral cross of Roman form has splayed ends, and is set with five cabochon garnets, with a tubular ring for suspension. Free DownloadThis image is in the public domainPL7_57.1734_Fnt_BW_H44.jpg633 KBdownload-circle Please Subscribe or Donate to Help Keep This Site Free!...
The blue nicolo inltaglio has a delicate figure of Nike (Victory) standing on an orb and holding a wreath in her outstretched hand. The circular bezel is almost completely separated from the hoop and is held up by a pair of leopards. Other rings of this type contain coins of...
The most common icon of Jesus holding a Bible (or more accurately, the Gospels) is the Christ Pantocrator. This icon depicts Jesus as the ruler of the world, often shown with a stern, somber expression, holding a book (the Gospels) in his left hand and making a blessing gesture with his right.
This Byzantine silver spoon features a pear-shaped bowl incised with a cross and a slender handle, typical of Late Roman or Byzantine tableware and potentially liturgical implements.
This large ivory carving, shaped like a tusk, depicts the Christ Child embracing his mother in a tender pose. It’s an early example of Eleousa, or “Virgin of Tenderness,” used for private devotion in Christian Egypt, notable for the Virgin’s large head, fixed gaze, and angular drapery.
One of the most revered icons in the Russian Orthodox church, Our Lady of Kazan represents the Virgin Mary as the patroness of the city of Kazan and the Holy Protectress of Russia.
A pectoral cross or pectoral is a cross that is worn on the chest, usually suspended from the neck by a cord or chain. This cross was designed with gold accents, gilt-silver, and cloisonné enamel. It features an image of Christ crucified in the center.
The Monastery of Panormitis is tied with the Christian faith of the Symiot people. The interior is covered with wall paintings from the Byzantine period, made by the native hagiographers.
