"Birth in Bethlehem" by Gebhard Fugel exemplifies the revival of religious painting in late 19th- and early 20th-century Germany, a period marked by a search for spiritual depth and clarity amidst rapid societal change. Fugel, celebrated for his devout Christian motifs, drew on the traditions of German academic realism to create works that were both narratively clear and emotionally evocative. His focus on sacred subjects, including nativity scenes, was intended to inspire devotion and reinforce Christian values within a modernizing world. As the leading artist of the Crucifixion Panorama in Altötting, Fugel contributed significantly to the popularity of large-scale, immersive religious artworks designed to engage contemporary audiences with biblical stories directly and profoundly.
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