Gloria in Excelsis (1893) by Evelyn De Morgan - Public Domain Catholic Painting
The Pre-Raphaelite painting "Gloria in Excelsis" shows two winged figures with a harp and scroll beneath radiant cherubs, evoking a scene of heavenly praise.
This site's editor-in-chief is a Catholic husband, father, and author. He loves sharing the Catholic faith through art and graphic design. Check out his prayer books and coloring books on Amazon.com
The Pre-Raphaelite painting "Gloria in Excelsis" shows two winged figures with a harp and scroll beneath radiant cherubs, evoking a scene of heavenly praise.
This Neoclassical painting by Jean-Auguste-Dominique Ingres depicts the biblical episode of the young Jesus debating with learned scholars in the Temple of Jerusalem, showcasing a central theme of wisdom and precociousness.
An AI generated coloring page showing the Annunciation: Mary kneels before an angel and a descending dove.
The painting is a formal and dignified portrait of Pope Benedict XV. It captures his authority and status while also conveying a sense of his humanity. The artist's skill in rendering the textures and details of the clothing and chair adds to the overall richness of the image.
Hesse, a French painter born in 1795, was known for producing stained glass designs, portraits, and large-scale religious compositions. He was decorated in 1840 for his contributions to art and later became a member of the Institut, succeeding Eugène Delacroix in 1863.
Giacomotti's "Jésus chez les docteurs" (1865) depicts the biblical scene of 12-year-old Jesus discussing scripture with scholars in the temple. The painting showcases the young Jesus's wisdom as he engages with elders, emphasizing his divine knowledge despite his youth.
Suffer the Little Children to Come Unto Me (1615–16) is an oil-on-panel painting by Jacob Jordaens, a prominent Flemish Baroque artist. The artwork illustrates the biblical passage from Mark 10:13–16, where Jesus blesses children brought to him by their parents.
The Philippines features impressive Catholic statues. This one, of Moses holding the Ten Commandments, symbolizes a rich historical and religious heritage. This awe-inspiring sculpture draws visitors for its intricate artistry.
This large ivory carving, shaped like a tusk, depicts the Christ Child embracing his mother in a tender pose. It’s an early example of Eleousa, or “Virgin of Tenderness,” used for private devotion in Christian Egypt, notable for the Virgin’s large head, fixed gaze, and angular drapery.
Exposition of the Blessed Sacrament during a Benediction service involves displaying the consecrated Host in a monstrance for adoration. The congregation kneels and sings, and the priest incenses the monstrance. Silent prayer, structured prayers, Scripture readings, or a homily may follow.
The Rite of Matrimony, or Mystery of Crowning, is a sacred ceremony with key elements: betrothal, exchange of vows, crowning, blessing, and procession. The crowning, introduced in 1646, places crowns on the couple, symbolizing their status as “king and queen” of their new family.
This oil on panel artwork depicts a domestic scene of a family praying before a meal, showcasing van Mieris' mastery of the fijnschilder style, characterized by meticulous detail and a sparkling play of light. It portrays an intimate everyday moment of Dutch life in the 17th century.
This icon depicts the young Jesus teaching in the Temple of Jerusalem, which is the central theme of the Mid-Pentecost feast in Orthodox Christianity. Mid-Pentecost, is a significant feast day in the Orthodox Church that falls on the 25th day after Easter.
Saint Michael, the archangel, defeats Satan in two significant battles described in the Bible. The first battle occurs over the body of Moses in Jude 1:9, while the second takes place in heaven as described in the book of Revelation 12:7-9.
In John 12, Mary, Lazarus' sister, anoints Jesus' feet with pure nard from an alabaster jar and wipes His feet with her hair. The Alabaster Vase narrative encapsulates themes of love, sacrifice, and recognition of Jesus' divine worth, serving as a powerful reminder of the nature of true worship.
Armor Litho. Co was known for producing vibrant lithographs during the late 19th century, a period marked by a flourishing of color printing techniques. The concept of the Temple of Life in Christianity primarily refers to the idea that believers themselves are considered temples of the living God.
The painting captures a poignant moment in the Passion of Christ, depicting Jesus burdened with the cross as He makes His way to crucifixion. The emotional weight of the scene is conveyed through the expressions and postures of both Jesus and those around Him.
The Providence partnership of Harris & Jones entered into business as commercial lithographers in 1868, and became the Providence Lithograph Company circa 1875. In 1878, the firm began to emphasize religious lesson material for Sunday schools.
This painting of Hagar and Ishmael by François Navez portrays Hagar's despair and resilience. Navez uses a warm color palette that enhances the emotional weight of the scene. The work reflects Navez's admiration for classical themes and his ability to convey human emotion through art.
François-Joseph Navez's Saint Cecilia of Rome (1842) is a notable example of neoclassical art that reflects the artist's deep engagement with religious themes and classical aesthetics. Navez, a prominent Belgian painter born in 1787, became well-known for his historical and genre paintings.
Saint Prokhor, also known as Prochorus of the Kyiv Near Caves, is a revered figure in Orthodox Christianity, celebrated for his miraculous deeds and ascetic life. His feast day is observed on February 10.
This painting, by Francisco Antolínez, was painted between 1645 and 1700 and depicts the story from the Bible in which Jesus is found in the Temple after three days of searching. Antolínez was a historical and landscape painter. He was born in Seville, and was a nephew of José Antolínez.
Check out what we were able to accomplish in 2024!
The altars of the parish church of St. Kilian in Wartberg an der Krems, Austria, are decorated with rich cartilage work. They date from the third quarter of the 17th century.